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"GBP" blends elements of UK and US rap, [1] primarily UK drill and US trap. [2] [3] The production consists of synths, drums [4] and a vocal sample. [5]The song opens with a snippet of dialogue by rapper Cam'ron's character from the 2002 film Paid In Full (which Central Cee references later on): "Yo, come on, Mitch, you know I gotta go / Bring your motherfuckin' ass". [6]
"Dead!" was written as a commentary on the criticism towards the band. At the time of writing the song, the band repeatedly faced criticism from the general public, inspiring the band to write "Dead!" as a song that on the idea of being dead and people not caring. The band described writing the song as them stating "here we are, and we’re better.
TwinsthenewTrend is a YouTube channel featuring twin brothers Tim and Fred Williams, who reside in Gary, Indiana, critiquing music videos.In 2020, the channel gained attention when their videos reacting to popular music, heard for the first time by the duo, became the subject of numerous news stories and publicity. [3]
The video, posted on January 10, is titled "MY TWIN BROTHER IS DEAD?!" and has been viewed over 2.5 million times. It shows Lucas reading a note from his twin brother. "Put this on YouTube," it ...
The two women in the video are Shauna and Shannon Baker, also known as The Baker Twins. Like other Slipknot videos, "Killpop" was directed by M. Shawn Crahan. It was the final Slipknot music video to feature percussionist Chris Fehn before his departure from the band on March 18, 2019. As of August 2024, the song has 130 million views on YouTube.
A song in which the artist—a medical doctor—lists a number of "social ills" and controversies, among them "abortion rights", noting sarcastically that "You better pick a tribe and hate the other side". [163] "Killers of the Unborn" by Barren Cross (1988) A song about abortion written from the perspective of a fully sentient fetus. [164]
"Sara" is a song written by singer-songwriter Stevie Nicks of the British-American rock band Fleetwood Mac, which was released as a single from the 1979 Tusk double LP. The song peaked at No. 7 in the US for three weeks, No. 37 in the UK for two weeks, No. 11 in Australia, and No. 12 in Canada.
Dakota West Foss of Sputnikmusic had a mixed reaction to the song, stating the content is "definitionally ridiculous and patently, capital-D Deep like some of the Kendrick songs of yore, but his flow and performance are once again in top form to deliver what is probably one of the best raps of the year in a year already full of great ones."