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Westley Allan Dodd was born in Toppenish, Washington, on July 3, 1961, the oldest of three children to James and Carol Dodd. [1] Dodd claimed he was never abused or neglected as a child, [2] though he did state that the words "I love you" were never said to him as he grew up and that he could not remember saying them in return. [3]
The sayings of Jesus on the cross (sometimes called the Seven Last Words from the Cross) are seven expressions biblically attributed to Jesus during his crucifixion. Traditionally, the brief sayings have been called "words". The seven sayings are gathered from the four canonical gospels. [1] [2] In Matthew and Mark, Jesus cries out to God.
"The Crucifixion" from Jesus Christ Superstar (1969), by Tim Rice and Andrew Lloyd Webber; Douglas Allanbrook The Seven Last Words for mezzo-soprano, baritone, chorus and orchestra (1970) Sofia Gubaidulina Sieben Worte for cello, bayan, and strings (1982) James MacMillan: Seven Last Words from the Cross, cantata for choir and strings (1993)
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Both Eastern and Western cultural traditions ascribe special significance to words uttered at or near death, [4] but the form and content of reported last words may depend on cultural context. There is a tradition in Hindu and Buddhist cultures of an expectation of a meaningful farewell statement; Zen monks by long custom are expected to ...
Last Words of the Executed is a book by Robert K. Elder published in 2010. Studs Terkel contributed a foreword. The book documents the final words of death row inmates in the United States, from the seventeenth century to the present day. The chapters are organized by era and method of execution.
The last words she ever got to say to him were, “I love you, Jack. ... Jack Kennedy’s final words to his wife of 10 years were far more mundane, of course. He had no way of knowing what was ...
The seven meditations on the Last Words are excerpted from all four gospels. The "Earthquake" movement derives from Matthew 27:51ff. Much of the work is consolatory, but the "Earthquake" brings a contrasting element of supernatural intervention—the orchestra is asked to play presto e con tutta la forza—and closes with the only fortississimo (triple forte) in the piece.