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Austen's novels can easily be situated within the 18th-century novel tradition. Austen, like the rest of her family, was a great novel reader. Her letters contain many allusions to contemporary fiction, often to such small details as to show that she was thoroughly familiar with what she read. Austen read and reread novels, even minor ones. [48]
The narrative style utilises free indirect speech—she was the first English novelist to do so extensively—through which she had the ability to present a character's thoughts directly to the reader and yet still retain narrative control. The style allows an author to vary discourse between the narrator's voice and values and those of the ...
The intention of the work was to set down the essential parts of the "ideal novel". Austen was following, and guying, the recommendations of Clarke. [1] The work was also influenced by some of Austen's personal circle with views on the novel of courtship, and names are recorded in the margins of the manuscript; [9] they included William Gifford, her publisher, and her niece Fanny Knight.
A common theme of Austen criticism has been on the legal aspects of society and the family, particularly wills, the rights of first and second sons, and lines of inheritance. Gene Ruoff's book Jane Austen's Sense and Sensibility explores these issues in an extended discussion of the novel. The first two chapters deal extensively with the ...
The Beautifull Cassandra is a short novel from Jane Austen's juvenilia. It is a parody of the melodramatic , sentimental and picaresque novels of the time, [ 1 ] and tells the story of a young woman who sets off into the world to make her fortune.
Free indirect discourse can be described as a "technique of presenting a character's voice partly mediated by the voice of the author". In the words of the French narrative theorist Gérard Genette, "the narrator takes on the speech of the character, or, if one prefers, the character speaks through the voice of the narrator, and the two instances then are merged". [1]
Virginia Woolf's unique narrative voice, Thomas Pynchon's postmodernist tendencies, and Jane Austen's use of free indirect discourse are examples of the kind of stylistic elements that have been extensively discussed by scholars and merit mention on any page about these authors' novels. Once again, this should be based on the best sources you ...
Jane Austen's Sense and Sensibility (1811) is most often seen as a "witty satire of the sentimental novel", [9] [full citation needed] by juxtaposing values of the Age of Enlightenment (sense, reason) with those of the later eighteenth century (sensibility, feeling) while exploring the larger realities of women's lives, especially through ...