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  2. Category:1968 in art - Wikipedia

    en.wikipedia.org/wiki/Category:1968_in_art

    Printable version; In other projects ... 1968 paintings (12 P, 1 F) S. ... Pages in category "1968 in art" The following 11 pages are in this category, out of 11 total.

  3. Category:1968 paintings - Wikipedia

    en.wikipedia.org/wiki/Category:1968_paintings

    Print/export Download as PDF; Printable version; In other projects ... Pages in category "1968 paintings" The following 12 pages are in this category, out of 12 total

  4. 1968 in art - Wikipedia

    en.wikipedia.org/wiki/1968_in_art

    M. C. Escher – Metamorphosis III (colored woodcut print) Alan Fletcher – Warren Street tile motif on London Underground's Victoria line; Ángela Gurría - Señal in Mexico City, Mexico created for the occasion of the 1968 Summer Olympics [1] Barbara Hepworth – Two Figures (sculpture), Three Obliques (Walk In) (sculpture) David Hockney

  5. Gerhard Richter - Wikipedia

    en.wikipedia.org/wiki/Gerhard_Richter

    The range of the colors he employed was determined by a mathematical system for mixing the primary colors in graduated amounts. Each color was then randomly ordered to create the resultant composition and form of the painting. Richter's second series of Color Charts was begun in 1971 and consisted of only five paintings.

  6. Martha Diamond - Wikipedia

    en.wikipedia.org/wiki/Martha_Diamond

    Martha Bonnie Diamond (May 1, 1944 – December 30, 2023) was an American painter. Her paintings first gained public attention in the 1980s [1] and are included in the permanent collections of the Whitney Museum of American Art, the Museum of Modern Art, New York, and many other institutions.

  7. American Collectors (Fred and Marcia Weisman) - Wikipedia

    en.wikipedia.org/wiki/American_Collectors_(Fred...

    American Collectors (Fred and Marcia Weisman) is a 1968 painting by British artist David Hockney. [1] The painting is currently in the collection of the Art Institute of Chicago . [ 2 ] It was accessioned by the museum in 1984 after being donated by Frederic G. Pick and his wife, Frances Weis Pick.

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  9. The Field (exhibition) - Wikipedia

    en.wikipedia.org/wiki/The_Field_(exhibition)

    The curators acknowledged their bias towards a particular form of abstraction; [12] they included neither artists with established reputations, [1] such as those of the nationalist, or arguably provincial, [13] movements culminating in the 1959 Antipodean Manifesto and exhibition, [11] nor the concurrently practicing expressionist abstractionists John Olsen, Leonard French or Roger Kemp.

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