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Agung Percussion instrument Classification Idiophone Hornbostel–Sachs classification 111.241.2 (Sets of gongs) Developed Indonesia The agung is a set of two wide-rimmed, vertically suspended gongs used by the Maguindanao, Maranao, Sama-Bajau and Tausug people of the Philippines as a supportive instrument in kulintang ensembles. The agung is also ubiquitous among other groups found in Palawan ...
The agung a tamlang is a type of Philippine slit drum made of hollowed out bamboo in imitation of the real agung.Pitch is determined by the length and depth of the slit. It is used as practice for the real agung: players either use either one agung a tamlang (hold it with one hand and using the other to strike it with a beater) or using two agung a tamlangs where the other agung is held with ...
Quezon City, Philippines: University of the Philippines Diliman. OCLC 6593501. Archived from the original (PDF) on September 20, 2023; Dioquino, Corazon (October 22, 2009). "Philippine Bamboo Instruments". Humanities Diliman: A Philippine Journal of Humanities. 5 (1&2). University of the Philippines Diliman. ISSN 2012-0788.
The babendil. The babendil traditionally could be played by either genders. [5] In wooden kulintang ensembles, the kagul is usually substituted for the babendil part. [2] Among the Tausug, the Samal and the Yakan, their babendil-type instrument generally has gone into disuse (Instead, tempo is kept in check using the highest gong on the kulintangan .
The instrument is usually described as four, large, shallow-bossed, thin-rimmed gongs, vertically hung, either from a strong support such as a tree limb or housed in a strong wooden framed stand. The gongs are arranged in graduated fashion in pairs with knobs of the lower-pitched gongs facing each other and the higher-pitched gongs doing the same.
The Maguindanao kulintang ensemble, called basalen or palabunibuniyan is the traditional gong chime ensemble of the Maguindanao.Other forms of the kulintang ensembles are played in parts of Southeast Asia especially in the eastern parts of Maritime Southeast Asia — southern Philippines, eastern Indonesia, eastern Malaysia, Brunei and Timor. [1]
He is credited with influencing other local experts in his area such as Esmael Ahmad, Bitul Sulaiman, Nguda Latip, Ali Ahmad and Tukal Nanalon. Sulaiman also played the kulintang, agong (suspended bossed gong with wide rim), gandingan, palendag, and the tambul. [1] He was also a barber, as well as an imam at the Libutan mosque. [1]
The Tboli have a musical heritage consisting of various types of agung ensembles – ensembles composed of large hanging, suspended or held, bossed/knobbed gongs that act as drone without any accompanying melodic instrument. Other instruments include the hegelung. [3]