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AMPEX 440 (two-track, four-track) and 16-track MM1000 Scully 280 eight-track recorder using 1 inch (25 mm) tape at the Stax Museum of American Soul Music. Multitrack recording of sound is the process in which sound and other electro-acoustic signals are captured on a recording medium such as magnetic tape, which is divided into two or more audio tracks that run parallel with each other.
The Muntz Stereo-Pak, commonly known as the 4-track cartridge, [1] is a magnetic tape sound recording cartridge technology. The Stereo-Pak cartridge was inspired by the Fidelipac 2-track monaural (audio & cue tracks, later 3-track for stereo) tape cartridge system invented by George Eash in 1954 and used by radio broadcasters for commercials ...
Mixing desk with twenty inputs and eight outputs. Multitracking can be achieved with analogue recording, tape-based equipment (from simple, late-1970s cassette-based four-track Portastudios, to eight-track cassette machines, to 2" reel-to-reel 24-track machines), digital equipment that relies on tape storage of recorded digital data (such as ADAT eight-track machines) and hard disk-based ...
4-track or 4-track tape may refer to: The 4-track cartridge as an analogue music storage format popular from the late 1950s; A 4-track tape for multitrack recording used in professional recording studios; 8-track tape, which has 4 stereo tracks and so was sometimes colloquially called "4-track tape" A quadruple track railway line
A cartridge format for embedding and easy handling usual 3-inch-tape-reels with 1 ⁄ 4 inch tape, compatible to reel-to-reel audio recording in 3 + 3 ⁄ 4 ips. 1965 8-Track (Stereo-8) The inside of an 8-track cartridge Analog, 1 ⁄ 4 inch wide tape, 3 + 3 ⁄ 4 in/s, endless-loop cartridge DC-International cassette system
Sound mix list on the Internet Movie Database; Index of early sound films of the silent era, from The Progressive Silent Film List by Carl Bennett; The origins of the Firm "Tobis-Klang" The first release that used this system was the partially silent German film Melodie der Welt
Portastudio refers to a series of multitrack recorders produced by TASCAM beginning in 1979 with the introduction of the TEAC 144, the first four-track compact cassette-based recorder. A TASCAM trademark, "portastudio" is commonly used to refer to any self-contained multitrack recorder dedicated to music production.
Rahman composed a semi-classical number "Man Mohana" which was used twice in the film. He described it as a "quite complex composition" on multiple listens. [7] The song was created keeping Aishwarya in mind; Gowariker wanted Aishwarya to sing the song after she hummed a tune in the film's shooting, but due to scheduling problems, the song was recorded it with the vocals of Bela Shende ...