Search results
Results from the WOW.Com Content Network
The diezmo y media ("tenth and a half") or diezmo de lo morisco ("Moorish tenth") applied to trade with the Emirate of Granada. The diezmos de la mar ("tenths of the sea") applied to maritime trade between Galicia and northern Europe. The term was also applied at times to other taxes such as the diezmo de aceite ("tenth of oil"). [2]
The Magnificat (Latin for "[My soul] magnifies [the Lord]") is a canticle, also known as the Song of Mary or Canticle of Mary, and in the Eastern Orthodox Church as the Ode of the Theotokos (Greek: Ἡ ᾨδὴ τῆς Θεοτόκου).
Illumination with buisine players from the E Codex (Bl-2, fol. 286R). The Cantigas de Santa Maria (Galician: [kanˈtiɣɐz ðɪ ˈsantɐ maˈɾi.ɐ], Portuguese: [kɐ̃ˈtiɣɐʒ ðɨ ˈsɐ̃tɐ mɐˈɾi.ɐ]; "Canticles of Holy Mary") are 420 poems with musical notation, written in the medieval Galician-Portuguese language during the reign of Alfonso X of Castile El Sabio (1221–1284).
Avé de Fátima (English: Fátima Ave), also known as the Fátima Hymn, is a popular Roman Catholic Marian hymn. It is sung in honour of Our Lady of Fátima , a Catholic title of the Blessed Virgin Mary based on the Marian apparitions reported in 1917 by three shepherd children at Cova da Iria , in Fátima , Portugal .
O Maria, Deu maire ("O Mary, mother of God") is an Old Occitan song, a hymn to the Virgin Mary, unique in being both the only song from the Saint Martial school (the chantry of the Abbey of Saint Martial at Limoges) that is entirely in the vernacular (having no Latin stanza or refrain) and the only medieval Occitan song with extant musical notation for all its (twelve) stanzas. [1]
The Spiritual Canticle (Spanish: Cántico Espiritual) is one of the poetic works of the Spanish mystical poet Saint John of the Cross.. Saint John of the Cross, a Carmelite friar and priest during the Counter-Reformation, was arrested and jailed by the Calced Carmelites in 1577 at the Carmelite Monastery of Toledo because of his close association with Saint Teresa of Ávila in the Discalced ...
Übers Gebirg Maria geht (Over the mountains Mary goes) is a sacred motet by the Renaissance composer and musician Johannes Eccard, who wrote it on a German text by Ludwig Helmbold in two stanzas. The first stanza is a rephrasing of the biblical story of the visit of Mary to Elisabeth , ending in Mary's song of praise known as the Magnificat .
The Cantata Santa Maria de Iquique represented Quilapayun at the Segundo Festival de la Nueva Canción Chilena (NCCh) (Second Festival of the New Chilean Song).. Despite the success of the work, it had its share of critics within the music world at the time of its release; some critics saw this work as too pretentious, complex and classical for it to be part of a popular neo-folkloric movement.