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The Song of the Sibyl (Catalan: El Cant de la Sibil·la [əl ˈkand də lə siˈβilːə]) is a liturgical drama and a Gregorian chant, the lyrics of which comprise a prophecy describing the Apocalypse, which has been performed in churches on Majorca (Balearic Islands, Spain) and Alghero (Sardinia, Italy), and some Catalan churches, in the Catalan language on Christmas Eve nearly ...
Illumination with buisine players from the E Codex (Bl-2, fol. 286R). The Cantigas de Santa Maria (Galician: [kanˈtiɣɐz ðɪ ˈsantɐ maˈɾi.ɐ], Portuguese: [kɐ̃ˈtiɣɐʒ ðɨ ˈsɐ̃tɐ mɐˈɾi.ɐ]; "Canticles of Holy Mary") are 420 poems with musical notation, written in the medieval Galician-Portuguese language during the reign of Alfonso X of Castile El Sabio (1221–1284).
Avé de Fátima (English: Fátima Ave), also known as the Fátima Hymn, is a popular Roman Catholic Marian hymn. It is sung in honour of Our Lady of Fátima , a Catholic title of the Blessed Virgin Mary based on the Marian apparitions reported in 1917 by three shepherd children at Cova da Iria , in Fátima , Portugal .
The Songs of the Sabbath Sacrifice, also referred to as the Angelic Liturgy, are a series of thirteen songs, one for each of the first thirteen Sabbaths of the year, contained in fragments found among the Dead Sea Scrolls.
Sancta Maria is a Latin-language soprano aria arranged by Steven Mercurio based on the Intermezzo from the opera Cavalleria Rusticana, [1] composed by Pietro Mascagni. [2] It uses some of the same lyrics as Ave Maria and has become a popular concert piece.
María Soledad Torres y Acosta (2 December 1826 – 11 October 1887) - born Manuela - was a Spanish Roman Catholic professed religious and the founder of the Servants of Mary.
The Spiritual Canticle (Spanish: Cántico Espiritual) is one of the poetic works of the Spanish mystical poet Saint John of the Cross.. Saint John of the Cross, a Carmelite friar and priest during the Counter-Reformation, was arrested and jailed by the Calced Carmelites in 1577 at the Carmelite Monastery of Toledo because of his close association with Saint Teresa of Ávila in the Discalced ...
The Cantata Santa Maria de Iquique represented Quilapayun at the Segundo Festival de la Nueva Canción Chilena (NCCh) (Second Festival of the New Chilean Song).. Despite the success of the work, it had its share of critics within the music world at the time of its release; some critics saw this work as too pretentious, complex and classical for it to be part of a popular neo-folkloric movement.