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The violins play glissando, pizzicato, tremolo, and in double stops, and use particular effects such as col legno (striking the wood of the bow on the strings) and sul ponticello (bowing close to the bridge), in order to imitate the sounds of a cat, a dog, a hen, the lyre, clarino trumpet, military drum, Spanish guitar, etc. (Boyden 2001; Pyron ...
string scrapes, a technique especially associated with electric guitar and electric bass, as played with a pick. percussive effects, such as drumming on a string instrument body; palm and finger muting ("pizzicato") tapping on the fingerboard; string pops and slaps (fingerboard instruments) preparation of a guitar by inserting screws or pieces ...
An uncoated guitar string A coated guitar string [21] All metal strings are susceptible to oxidation and corrosion. Wound strings commonly use metals such as brass or bronze in their winding. These two metals are very vulnerable to corrosion. The sebaceous gland in the player's skin produces oils that can be acidic. The oils, salts, and ...
Concerto n°1 for piano and string orchestra (2002) Helmut Lachenmann. Ausklang: Piano Concerto in F (1985) Édouard Lalo. Piano Concerto in F minor (1889) Constant Lambert. The Rio Grande, for alto, piano, chorus, brass, strings and percussion (1927) Concerto for piano and nine players (1931) Marcel Landowski. Piano Concerto No. 2; Shawn Lane
Many classical compositions belong to a numbered series of works of a similar type by the same composer. For example, Beethoven wrote 9 symphonies, 10 violin sonatas, 32 piano sonatas, 5 piano concertos, 16 string quartets, 7 piano trios and other works, all of which are numbered sequentially within their genres and generally referred to by their sequence numbers, keys and opus numbers.
Most Renaissance lute music has been transcribed for guitar (see List of composers for lute). The baroque guitar (c.1600–1750) was a string instrument with five courses of gut strings and moveable gut frets. The first (highest pitched) course was sometimes a single string.
Playing a harpejji. The harpejji (/ h ɑːr ˈ p ɛ dʒ iː / har-PEJ-ee) [1] is an electric stringed musical instrument developed in 2007 by American audio engineer Tim Meeks. [2] [3] It has been described by its manufacturer as a cross between a piano and a guitar, [1] [4] and by Jacob Collier as a cross between an accordion and a pedal steel guitar. [5]
Cover of Henry Cowell: Piano Music, recorded in 1963, with Cowell demonstrating the longitudinal sweeping technique. String piano is a term coined by American composer-theorist Henry Cowell (1897–1965) to collectively describe pianistic extended techniques in which sound is produced by direct manipulation of the strings, instead of or in addition to striking the piano's keys.
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