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The Rider on the White Horse (German: Der Schimmelreiter) is a novella by German writer Theodor Storm. It is his last complete work, first published in 1888, the year of his death. The novella is Storm's best remembered and most widely read work, and considered by many to be his masterpiece.
Red, for example, often represents Communism, the white horse and rider with a crown representing Catholicism, Black has been used as a symbol of Capitalism, while Green represents the rise of Islam. Pastor Irvin Baxter Jr. of Endtime Ministries espoused such a belief. [79] Some equate the Four Horsemen with the angels of the four winds. [80]
A Mindanaoan Muslim Buraq [1] sculpture. The sculpture incorporates the indigenous okir motif.. The Buraq (Arabic: الْبُرَاق / æ l ˈ b ʊ r ɑː k / "lightning") is a supernatural equine-esque creature in Islamic tradition that served as the mount of the Islamic prophet Muhammad during his Isra and Mi'raj journey from Mecca to Jerusalem and up through the heavens and back by night. [2]
Walter Farley (born Walter Lorimer Farley, 26 June 1915 – 16 October 1989) [1] was an American author, primarily of horse stories for children.His first and most famous work was The Black Stallion (1941), [2] the success of which led to many sequels over decades; the series has been continued since his death by his son Steven.
The film is the second of the three German film adaptations of The Rider on the White Horse by Theodor Storm. [2] Weidenmann’s version is noted for its emphasis on issues of the time and its use of comparatively more fantasy features. [2]
The "Four Horsemen" is the professional wrestling faction that competed in the National Wrestling Alliance and World Championship Wrestling in the 1980s and 1990s. The faction's original incarnation consisted of Ric Flair, Arn Anderson, Ole Anderson, Tully Blanchard, and J. J. Dillon, with other members including Lex Luger, Sid Vicious, Sting, Steve McMichael, Dean Malenko, Chris Benoit, Brian ...
The following is a list of known Furusiyyah treatises (after al-Sarraf 2004, al-Nashīrī 2007). [13]Some of the early treatises (9th to 10th centuries) are not extant and only known from references by later authors: Al-Asma'i, Kitāb al-khayl (خيل "horse"), Ibn Abi al-Dunya (d. 894 / AH 281) Al-sabq wa al-ramī, Al-Ṭabarānī (d. 971 / AH 360) Faḍl al-ramī, Al-Qarrāb (d. 1038 / AH ...
The 3,000-year-old Uffington White Horse hill figure in England.. White horses have a special significance in the mythologies of cultures around the world. They are often associated with the sun chariot, [1] with warrior-heroes, with fertility (in both mare and stallion manifestations), or with an end-of-time saviour, but other interpretations exist as well.