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The 64:27 aspect ratio of "21:9" is an extension of the existing video aspect ratios 4:3 (SDTV) and 16:9 (HDTV), as it is the third power of 4:3, where 16:9 of traditional HDTV is 4:3 squared. This allows electronic scalers and optical anamorphic lenses to use an easily implementable 4:3 (1. 3 :1) scaling factor.
The update includes native encoding of 4:2:2 and 4:2:0 formats in six-pixel containers, 14/16 bits per color, and minor modifications to the encoding algorithm. On 4 January 2017, HDMI 2.1 was announced which supports up to 10K resolution and uses DSC 1.2 for video that is higher than 8K resolution with 4:2:0 chroma subsampling. [9] [10] [11]
The EIA/CEA-861-E standard has the first 64 short video descriptors above. It is used by HDMI 1.4–1.4b. The CTA-861-F standard has the first 107 short video descriptors above. It is used by HDMI 2.0–2.0b. The CTA-861-G standard has the full list of 154 (1–127, 193–219) short video descriptors above. It is used by HDMI 2.1.
Display Data Channel (DDC) is a collection of protocols for digital communication between a computer display and a graphics adapter that enable the display to communicate its supported display modes to the adapter and that enable the computer host to adjust monitor parameters, such as brightness and contrast.
4DX technology was commercially debuted at the CGV Sangam theater in Seoul in 2009. [4] Following the success of Avatar , the technology expanded to more theaters in South Korea . [ 5 ] In June 2011, Mexico -based Cinépolis invested $25 million [ 6 ] and contracted with the CJ Group to bring the 4DX technology to its 11 locations in the ...
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Version 1.4.2 also implements post-show log record collection utilizing SMPTE 430-17 SMS-OMB Communications Protocol Specification. Additionally, Version 1.4.2 incorporated two prior addenda: the Digital Cinema Object-Based Audio Addendum, dated October 1, 2018 and the Stereoscopic Digital Cinema Addendum, Version 1.0, dated July 11, 2007.
This list of motion picture film formats catalogues formats developed for shooting or viewing motion pictures, ranging from the Chronophotographe format from 1888, to mid-20th century formats such as the 1953 CinemaScope format, to more recent formats such as the 1992 IMAX HD format.
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