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"American Pie" is a song by American singer and songwriter Don McLean. Recorded and released in 1971 on the album of the same name , the single was the number-one US hit for four weeks in 1972 starting January 15 [ 2 ] after just eight weeks on the US Billboard charts (where it entered at number 69). [ 3 ]
The tragedy served as the inspiration for McLean’s iconic hit, "American Pie," a song that has become an integral part of the pop culture landscape. McLean released his hit song, "American Pie ...
Don McLean shares how he came to write 'American Pie,' from delivering papers with the news of Buddy Holly's death to meeting the Everly Brothers.
The phrase "The Day the Music Died" was used by McLean on this song, and has now become an unofficial name for the tragedy. On the original release, the title of the song "Sister Fatima" is misspelled "Sister Faima" [4] The final track, "Babylon", is a close paraphrase of the 1st Verse of the 137th Psalm. [14]
Donald McLean III / m ə ˈ k l eɪ n / (born October 2, 1945) [1] is an American singer-songwriter and guitarist. Known as the "American Troubadour" or "King of the Trail", [2] [3] he is best known for his 1971 hit "American Pie", an eight-and-a-half-minute folk rock song that has been referred to as a "cultural touchstone". [4]
The song topped the US Billboard Dance Club Songs chart in March 1987 and remained there for four weeks. [2] Soon after, the single was picked up by Top 40 radio, and it charted on the Billboard Hot 100 spending eight weeks in the Top 40 in May and June 1987, [3] peaking at #21. [4]
The song is a nostalgic tribute to Don McLean's "American Pie", featuring a reference to "Chevys and levees" in the first verse and the line "We were more than just a slice of American pie" in the chorus. It is performed in the key of B major with a tempo of 126 beats per minuete in common time. The song follows a chord progression of F ♯ /A ...
"Everything to Everyone" is a song by American alternative rock band Everclear, released as the first single off their album So Much for the Afterglow (1997). It was commercially successful, topping the US Billboard Modern Rock Tracks chart in December 1997.