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During the Early Middle Ages, brocade fabrics were available only to the wealthiest of people as the Byzantine emperor charged extreme prices for the fabric. The designs woven into brocade fabrics were often Persian in origin. It was also common to see Christian subjects depicted in the complex weaves of the fabric.
The angel wears iconographic dress. English ploughmen, c. 1000. Early medieval European dress, from about 400 AD to 1100 AD, changed very gradually. The main feature of the period was the meeting of late Roman costume with that of the invading peoples who moved into Europe over this period.
The Middle Ages, particularly the 14th and 15th centuries, were home to some of the most outstanding and gravity-defying headwear in history. Before the hennin rocketed skywards, padded rolls and truncated and reticulated headdresses graced the heads of fashionable ladies everywhere in Europe and England.
As in the West during the Middle Ages, clothing was very expensive for the poor, who probably wore the same well-worn clothes nearly all the time; [2] this meant in particular that any costume owned by most women needed to fit throughout the full length of a pregnancy. [3]
Favier, Jean, Gold and Spices: The Rise of Commerce in the Middle Ages, London, Holmes and Meier, 1998, ISBN 0-8419-1232-7. Hayward, Maria: Dress at the Court of King Henry VIII, Maney Publishing, 2007, ISBN 1-904350-70-4; Hearn, Karen, ed. Dynasties: Painting in Tudor and Jacobean England 1530–1630. New York: Rizzoli, 1995. ISBN 0-8478-1940-X.
The lowest classes in the Middle Ages did not have access to the same clothing as nobility. Poor men and women working in the fields or wet or muddy conditions often went barefoot. [69] Upper and middle-class women wore three garments and the third garment was either a surcoat, bliaut, or cotehardie. These were often lavish garments, depending ...
The grey and white squirrel furs of the Middle Ages, vair and miniver, went out of style except at court, first for men and then for women; the new fashionable furs were dark brown sable and marten. Toward the end of the 15th century, wild animal furs such as lynx became popular. [15] Ermine remained the prerogative and hallmark of royalty.
During the Middle Ages hair was charged with cultural meaning. Hair could be used to convey messages of social differentiation. [8] The wimple was introduced in England late in the century. It consisted of a linen cloth that covered the throat (and often the chin as well), and that was fastened about the head, under the veil. [5] [9]
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