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The Purusha Sukta is repeated with some variations in the Atharva Veda (19.6). Sections of it also occur in the Panchavimsha Brahmana, Vajasaneyi Samhita and the Taittiriya Aranyaka. [9] Among Puranic texts, the Sukta has been elaborated in the Bhagavata Purana (2.5.35 to 2.6.1–29) and in the Mahabharata (Mokshadharma Parva 351 and 352).
The subjects of the hymns cover a wider spectrum than in the other books, dedicated not only to deities or natural phenomena, including deities that are not prominent enough to receive their own hymns in the other books (Nirrti 10.59, Asamati 10.60, Ratri 10.127, Aranyani 10.146, Indrani 10.159), but also to objects like dice (10.34), herbs (10.97), press-stones (for Soma, 10.94, 175) and ...
Purusha (Sanskrit: पुरुष, [pʊɾʊʂᵊ], IAST: Puruṣa) is a complex concept [1] whose meaning evolved in Vedic and Upanishadic times. Depending on source and historical timeline, it means the cosmic being or self, awareness, and universal principle.
The Mudgala Upanishad, along with Subala Upanishad, is one of the two Upanishads that discuss the Purusha Sukta of Rigveda. [1] It is notable for asserting that Narayana (Vishnu) is the Brahman (Highest reality, Supreme being), that he created the universe from a fourth part of himself, then became himself the Atman (soul) in individual living ...
Rigveda manuscript page, Mandala 1, Hymn 1 (Sukta 1), lines 1.1.1 to 1.1.9 (Sanskrit, Devanagari script) The Rigveda hymns were composed and preserved by oral tradition . They were memorized and verbally transmitted with "unparalleled fidelity" across generations for many centuries.
Medha suktam from the Mahanarayana Upanishad is a collective prayer, i.e., the supplicants refer to themselves in the plural. The context suggests that it is recited by a group of students who are pursuing education, spiritual education in particular.
It is venerated as one among the five hymns from the Vedas called the Pancha Sukta by Vaishnavites, the other four usually being the Purusha Sukta, the Sri Sukta, the Bhu Sukta, and the Nila Sukta. Some commentators see it as a mystical appendix to the Purusha Sukta. [3]
The author and the century in which the Mahanarayana Upanishad was composed is unknown. The relative chronology of the text, based on its poetic verse and textual style, has been proposed by Parmeshwaranand to the same period of composition as Katha, Isha, Mundaka, and Shvetashvatara Upanishads, but before Maitri, Prashna, and Mandukya Upanishad. [12]
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