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Surviving African women of this war are the subject of the documentary Les Oubliées (The forgotten women), made by Anne-Laure Folly 20 years later. Maldoror also worked as assistant director on The Battle of Algiers (1966) with filmmaker Gillo Pontecorvo. In 1995, Wanjiru Kinyanjui made the feature film The Battle of the Sacred Tree in Kenya. [52]
Pens en pootjies (in Afrikaans) and other South African films. This is a chronology of major films produced in South Africa or by the South African film industry.There may be an overlap, particularly between South African and foreign films which are sometimes co-produced; the list should attempt to document films which are either South African produced or strongly associated with South African ...
1960s; 1970s; 1980s; 1990s; 2000s; 2010s; Pages in category "1960s South African films" The following 20 pages are in this category, out of 20 total.
The Trials of Oscar Wilde (1960) – British historical drama film based on the libel and subsequent criminal cases involving Oscar Wilde and the Marquess of Queensberry [35] Two Women (Italian: La ciociara) (1960) – Italian war drama film based on actual events of 1944 in Rome and rural Lazio, during the Marocchinate [36]
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (known simply and more commonly as Dr. Strangelove) is a 1964 political satire black comedy film co-written, produced, and directed by Stanley Kubrick. It is loosely based on the thriller novel Red Alert (1958) by Peter George, who wrote the screenplay with Kubrick and Terry ...
Darkest Africa; David Livingstone (film) The Dead (2010 film) Death Drums Along the River; Desert Sands; The Desired Woman; Devil Goddess; The Dictator (2012 film) Dingaka; Disarmament Conference (film) The Dogs of War (film) Dough for the Do-Do; Dreaming (1944 British film) Drums of Africa
These 79 best movies based on true stories prove that truth really can be stranger than fiction. It can also be more heartwarming, shocking, and inspirational.
Historians have noted that women have made the bulk of the theme's research. Some films, such as Karmen Geï and U-Carmen eKhayelitsha feature female protagonists, but have been criticized as "[representing] a departure from the situation of the contemporary woman in Africa" as the films identify women with music and the voice. Riesco has noted ...