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From Ritual to Romance is a 1920 book written by Jessie Weston. Weston's book is an examination of the roots of the King Arthur legends. It seeks to make connections between the early pagan elements and the later Christian influences. The book's main focus is on the Holy Grail tradition and its influence, particularly the Wasteland motif.
La Tavola Ritonda [1] (The Round Table) is a 15th-century Italian Arthurian romance written in the medieval Tuscan language. It is preserved in a 1446 manuscript at the Biblioteca Nazionale Centrale in Florence (Codex Palatinus 556).
The 12th-century French writer Chrétien de Troyes, who added Lancelot and the Holy Grail to the story, began the genre of Arthurian romance that became a significant strand of medieval literature. In these French stories, the narrative focus often shifts from King Arthur himself to other characters, such as various Knights of the Round Table ...
Brandelis (Brandalus, Brandel, Brandeles, Brandellis, Brendalis, etc.) is the name of a number of Arthurian romance characters, including multiple Knights of the Round Table from the French prose tradition. As in the case of several other Arthurian characters, such as King Ban, they might have been derived from the Welsh mythology's figure of ...
Thomas Malory's The Book of Sir Tristram de Lyones is the only other medieval handling of the Tristan legend in English. Malory provided a shortened translation of the French Prose Tristan and included it in his Arthurian romance compilation Le Morte d'Arthur. In Malory's version, Tristram is the son of the King of Lyonesse.
Parzival (German pronunciation: [ˈpaʁtsifal]) is a medieval chivalric romance by the poet and knight Wolfram von Eschenbach in Middle High German.The poem, commonly dated to the first quarter of the 13th century, centers on the Arthurian hero Parzival (Percival in English) and his long quest for the Holy Grail following his initial failure to achieve it.
Sir Gawain and the Green Knight is a late 14th-century chivalric romance in Middle English alliterative verse.The author is unknown; the title was given centuries later. It is one of the best-known Arthurian stories, with its plot combining two types of folk motifs: the beheading game and the exchange of winnings.
Throughout most of Malory's Le Morte d'Arthur, a late-medieval compilation highly influential for a common perception of Guinevere and many other characters today, she figures as "a conventional lady of [chivalric] romance, imperious, jealous, and demanding, with an occasional trait such as the sense of humor," until she acquires more depth and ...
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