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Polyphonic overtone singing Pachelbel's Canon, performed by Wolfgang Saus Chirgilchin performing various styles of Tuvan throat singing.. Overtone singing, also known as overtone chanting, harmonic singing, polyphonic overtone singing, or diphonic singing, is a set of singing techniques in which the vocalist manipulates the resonances of the vocal tract to arouse the perception of additional ...
In barbershop music, a style of four-part singing, the word overtone is often used in a related but particular manner. It refers to a psychoacoustic effect in which a listener hears an audible pitch that is higher than, and different from, the fundamentals of the four pitches being sung by the quartet. The barbershop singer's "overtone" is ...
The harmonic series (also overtone series) is the sequence of harmonics, musical tones, or pure tones whose frequency is an integer multiple of a fundamental frequency. Pitched musical instruments are often based on an acoustic resonator such as a string or a column of air, which oscillates at numerous modes simultaneously.
Xhosa overtone singing is based on Xhosa bow instruments such as the 'umrhube' and 'uhadi' which are the two fundamental sounds in Xhosa music. Xhosa traditional musicians imitate the sounds of their musical bows using their voices through the maneuvering of their tongues and shaping of the mouth cavity.
Demetrio Stratos – Italian singer of Greek and Egyptian origin, explored overtone singing, diplophony, triplophony with Area and in his solo records, in particular Cantare la voce; Luca Atzori - Italian actor and vocal researcher. Tran Quang Hai – Vietnamese overtone singer, researcher on Mongolian khoomei in France in 1969 [5]
Overtone singing, known as höömij (throat), [1] is a singing technique also found in the general Central Asian area. This type of singing is considered more as a type of instrument. [2] It involves different ways of breathing: producing two distinctively audible pitches at the same time, one being a whistle like sound and the other being a ...
In this way, overtones are composed upon overtones, generating a range of degrees of harmonic fusion. [8] According to the 1986 Hyperion Singcircle liner notes: In each section a new overtone melody or 'model' is introduced and repeated several times. Each female voice leads a new section eight times, and each male voice, nine times.
Anna-Maria Hefele is a German overtone singer. Hefele is from Grafing near Munich. [1] This technique of singing polyphonic overtones is also known as "throat singing," and Hefele has been practicing it since 2005. [2] There are several styles of overtone singing found around the world.