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"You're All I Need to Get By" is a song recorded by the American R&B/soul duo Marvin Gaye and Tammi Terrell and released on Motown Records' Tamla label in 1968. It was the basis for the 1995 single " I'll Be There for You/You're All I Need to Get By " from Method Man and Mary J. Blige .
There were 490 raions in 24 oblasts and the Crimea autonomous republic of Ukraine. The number of raions per region (oblast and autonomous republic) varies between 11 and over 20. The average area of a Ukrainian raion before the reform was 1,200 km 2 (463 sq mi). The average population was 52,000.
A raion (Ukrainian: район, romanized: raion; pl. райони, raiony), often translated as district, is the second-level administrative division in Ukraine. Raions were created in a 1922 administrative reform of the Soviet Union, to which Ukraine, as the Ukrainian Soviet Socialist Republic, belonged.
Aretha Franklin) Tapestry Revisited: A Tribute to Carole King "Christmas Here With You" (Four Tops feat. Aretha Franklin) Christmas Here With You "White Christmas" (Four Tops feat. Aretha Franklin) "Silent Night" (Four Tops feat. Aretha Franklin) "Somewhere" 1996 Somewhere: The Songs of West Side Story "Back To Living Again" New World Order (album)
Aretha is the twenty-sixth studio album by American singer Aretha Franklin. It was released on September 30, 1980, by Arista Records . This is Franklin's second eponymous album, and her first for Arista Records after a 12-year tenure with Atlantic Records .
The song — written by frontman Jon Bon Jovi, former member Richie Sambora and songwriter Max Martin and released in 2000 — blares, giving them energy to them as they work. There's also a ...
All music videos were popular on MTV, BET and other video outlets. [3] Franklin's vocal from "Rock-A-Lott" was sampled extensively in the 49ers' 1990 hit "Touch Me", while her version of "Jumpin' Jack Flash" was the title song for the comedy film of the same name starring Whoopi Goldberg. All four of the singles were shot as music videos that ...
The title track, issued as the follow-up, reached number 15 R&B. [7] The album brought an end to Aretha's collaboration with Atlantic producer Jerry Wexler, who signed her to the label in late 1966, and headed up production on all but one of her albums from 1967-1975.