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East African pole sculptures, carved in elongated human shapes and decorated with geometric forms, while the tops may also be carved with figures of animals, represent abstract human figures or other objects. In traditional ways, such poles of the Bongo people were placed next to graves and associated with death and the ancestral world. [9]
The metal pieces were made using lost-wax casting and are considered among the best African sculptures made using this technique. [21] Benin began to trade ivory, pepper, and slaves [ 22 ] with the Portuguese in the late 15th century and incorporated the use of manillas (brass ingots in the form of bracelets, bought from the Portuguese) as a ...
Central Zimbabwe contains the "Great Dyke" – a source of serpentine rocks of many types including a hard variety locally called springstone.An early precolonial culture of Shona peoples settled the high plateau around 900 AD and “Great Zimbabwe”, which dates from about 1250–1450 AD, was a stone-walled town showing evidence in its archaeology of skilled stone working.
African art is produced using a wide range of materials and takes many distinct shapes. Because wood is a prevalent material, wood sculptures make up the majority of African art. Other materials used in creating African art include clay soil. Jewelry is a popular art form used to indicate rank, affiliation with a group, or purely aesthetics. [16]
With the 1994 exhibition of East African art objects in Germany, the organisers wanted to make "a previously unknown rich cultural landscape accessible to the wider public." The presentation of the sculptures as works of art from Africa was supplemented by art-historical and ethnological information in the accompanying catalogue. [7]
In the period around 800CE the artists at Ife developed a refined and naturalistic sculptural tradition in terracotta, stone and copper alloy—copper, brass, and bronze— many of which appear to have been created under the patronage of King Obalufon II, the man who today is identified as the Yoruba patron deity of brass casting, weaving and regalia.
The different histories of museums in Europe and the United States affected the collecting and display of African art in both places. [6] European museums typically were founded as state institutions and thus their collections and displays were shaped by national interests. African art and artifacts were mostly displayed in an ethnological ...
In much of the literature on African art the group that lives in the area of Bobo-Dioulasso is called Bobo-Fing. These people call themselves Bobo. They speak a Mandé language. The Bobo number about 110,000 people, with the great majority in Burkina Faso, although the area occupied by the Bobo extends north into Mali.