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The Thin Red Line is the soundtrack of the 1998 Terrence Malick film of the same name.It was released on January 12, 1999, by RCA Victor. German-born film composer Hans Zimmer is credited for scoring most of the score along with his studio partner John Powell.
Johann Friedrich Karl Asperger (/ ˈ æ s p ɜːr ɡ ər /, German: [hans ˈʔaspɛɐ̯ɡɐ]; 18 February 1906 – 21 October 1980 [1]) was an Austrian physician.Noted for his early studies on atypical neurology, specifically in children, he is the namesake of the former autism spectrum disorder Asperger syndrome.
The first song to became "popular" through a national advertising campaign was "My Grandfather's Clock" in 1876. [3] Mass production of piano in the late-19th century helped boost sheet music sales. [3] Toward the end of the century, during the Tin Pan Alley era, sheet music was sold by dozens and even hundreds of publishing companies.
Sheet music, primarily vocal music of American imprint, dating from the 18th century to the present, with most titles in the period 1840–1950. John Hay Library at Brown University: ART SONG CENTRAL: downloadable, IPA transcriptions, vocal: 1,000 Printable sheet music primarily for singers and voice teachers—most downloadable.
"I'll Be a Sunbeam" (also called "Jesus Wants Me for a Sunbeam") is a popular children's Christian hymn composed by Nellie Talbot; it is sung to music composed in 1900 by Edwin O. Excell. Due to its age, the hymn has entered the public domain in the United States .
PowerSource was an American contemporary Christian music group from Bedford, Texas.The group was associated with a music ministry known as Gospel Workshop for Children, and is best known for the song "Dear Mr. Jesus" (written by Richard Klender), which crossed over to pop radio and reached the Billboard Hot 100 in December 1987.
Jesus Christ the Apple Tree (also known as Apple Tree and, in its early publications, as Christ Compared to an Apple-tree) is a poem, possibly intended for use as a carol, written in the 18th century. It has been set to music by a number of composers, including Jeremiah Ingalls (1764–1838), Elizabeth Poston (1905–1987) and John Rutter.
[5] Bert Saraco of CCM Magazine wrote "The music is big and somber, majestic and mournful." [6] A reviewer from Santa Barbara Independent wrote "The overweening Hans Zimmer music score gushes its way over the scenery". [7] Martin Tsai of Los Angeles Times wrote "Hans Zimmer and Lorne Balfe have changed their tune here quite a bit to cinematic ...
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