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a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured song". Originally used by medieval music theorists, it refers to polyphonic song with exactly measured notes and is used in contrast to cantus planus. [3] [4 ...
An instrumental or instrumental song is music without any vocals, although it might include some inarticulate vocals, such as shouted backup vocals in a big band setting. Through semantic widening, a broader sense of the word song may refer to instrumentals. [1] [2] [3] The music is primarily or exclusively produced using musical instruments.
A short connecting instrumental movement – an intermezzo Intermezzo: interval: A short connecting instrumental movement Libretto: little book: A work containing the words to an opera, musical, or ballet Melodramma: melodrama: A style of opera Opera: work: A drama set to music for singers and instrumentalists Opera buffa: humorous opera: A ...
This song is noteworthy for the use of the Bongos, heard in the intro, as well as the electric guitar solo, heard in the instrumental second part of the song. Also, the saxophone solos are heard between the choruses and the verses and bridges. Strings, trumpets, bass, piano, vibes, and drums dominate the accompaniment of the song.
Instrumental rock is rock music that emphasizes musical instruments and features very little or no singing. An instrumental is a musical composition or recording without lyrics , or singing , although it might include some inarticulate vocals , such as shouted backup vocals in a big band setting.
Art song – Musical setting of a poem or text usually written for one voice with piano accompaniment. Lied – German art song. Mélodie – French art song. Song cycle – Group of songs designed to be performed in a sequence as a single entity. Aubade – Song or instrumental composition concerning morning love or lovers separating at dawn.
[1] [2] It became Brewer's signature song and earned her the nickname "Miss Music". It was released as the B-side to " Copenhagen " but eclipsed "Copenhagen" as a hit. It was also recorded by many artists on various labels and other hit versions in 1950 were by Carmen Cavallaro (reached No. 5), Freddy Martin (No. 5), Ames Brothers (No. 14 ...
the relative difficulty of particular music on that instrument (for example, repeated notes are much easier to play on the violin than on the piano; while trills are relatively easy on the flute, but extremely difficult on the trombone); the availability of special effects or extended techniques, such as col legno playing, fluttertongue, or ...