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Lucio Diestro San Pedro, Sr. (February 11, 1913 – March 31, 2002) was a Filipino composer and teacher who was proclaimed a National Artist of the Philippines for Music in 1991. [3]
Alejandro G. Abadilla (March 10, 1906 – August 26, 1969), commonly known as AGA, was a Filipino poet, essayist, and fiction writer.Critic Pedro Ricarte referred to Abadilla as the father of modern Philippine poetry, and was known for challenging established forms and literature's "excessive romanticism and emphasis on rhyme and meter". [1]
Himig ng Pag-ibig (Vicor Music, 1979) Himig ng Lahi (Ivory Music, 1983) Ang Mga Awitin ng Bayan Kong Pilipinas (Ivory Music, 1984) Asin sa Atubiling Panahon (Ivory Music, 1986) Himig Kayumanggi (Vicor Music, 1987) Sinta (Vicor Music, 1988) Pag-ibig, Pagbabago, Pagpapatuloy (Vicor Music, 2002)
Kayumanggi at Iba Pang Mga Tula by Amado V. Hernandez, 1940. Timawa (Free Person/Slave) by Agustin Fabian, 1953. Luha ng Buwaya by Amado V. Hernandez, 1963. Sa Mga Kuko ng Liwanag (In the Claws of Brightness) by Edgardo M. Reyes, 1966–1967. Dekada '70 by Lualhati Bautista, 1983.
Sa Bagwis at Sigwa (1976) Niño Engkantado (1979) Burat ng Kamatayan (1983) Alay (Katipunan ng mga Piling Tula) (1984) Tula sa Ating Panahon (1989) Dupluhang Bayan at Dalawa pang Tula (1990) Apoy at Unos (Katipunan ng mga Tulang Popular) (1993) Bulaklak ng Maynila. Dakilang Gantimpala, Carlos Palanca Memorial Awards for Literature.
Azucarera: Mga Tula sa Pilipino at Ingles (Quezon City: Publikasyong Sipat, 1994). Ang Panitikan ng Pambansang Demokrasya (The Literature of National Democracy) (Manila: Kalikasan Press, 1990). The New Mass Art and Literature and Other Related Essays (1974-1987) (Quezon City: Kalikasan Press, 1988).
A prolific writer, he spearheaded the second successful modernist movement in Filipino poetry together with Mangahas and Antonio. His earliest pieces of literary criticism were collected in Ang Makata sa Panahon ng Makina (1972), now considered the first book of literary criticism in Filipino. Later, in the years of martial law, he set aside ...
These albums include the songs Huling Balita (Last News), Martsa ng Bayan (March of the Nation), the lullaby Meme Na (Sleep Now) and Pitong Libong Pulo (Seven Thousand Islands). His themes and the Filipino lower-class characters in his songs evolved from the political and social realities during the decade of Marcos despotism in the 1970s.