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The resulting print is termed a collagraph. The term "collagraph" was coined by Glen Alps in the 1950s, and is derived from the Greek word koll or kolla, meaning glue, and graph, meaning the activity of drawing. [2] Examples of collagraph plates using a variety of materials.
"Carborundum Collagraph" collagraph is a different printmaking technique, invented in 1952 by Henri Goetz, an American abstract artist living in Paris. The carborundum mezzotint uses the grits to create pits below the surface of the metal that then hold ink, like traditional mezzotint. The carborundum collagraph creates the image above the ...
The relief family of techniques includes woodcut, metalcut, wood engraving, relief etching, linocut, rubber stamp, foam printing, potato printing, and some types of collagraph. By contrast, in the intaglio family of printing, the recessed areas are printed by inking the whole matrix, then wiping the surface so that only ink in the recessed ...
by Lawrence Lessig (the first CC licensed book released by a major mainstream publisher, Penguin Books) CC BY-NC 1.0 [11] Freesouls: 2008: 2010 (digital ebook) book with essays and photos of key people of the free movement by Joi Ito: CC BY [12] The Future of Ideas: 2001: 2001: by Lawrence Lessig (originally published by Random House) CC BY-NC [11]
The first exhibition to show collagraphs by Alps and his students was a competitive print exhibition held in 1957 at the University of Washington's Henry Gallery. The first national exposure of a collagraph came in 1958, when Alps's "Chickens, Collagraph #12" was exhibited in the Brooklyn Museum's National Print Annual. [19]
Belkis Ayón (23 January 1967 – 11 September 1999) was a Cuban printmaker who specialized in the technique of collography.Ayón created large, highly detailed allegorical collagraphs based on Abakuá, a secret, all-male Afro-Cuban society.
The traditional audience base for webcomics and print comics are vastly different, and webcomic readers do not necessarily go to bookstores. For some webcartoonists, a print release may be considered the "goal" of a webcomic series, while for others, comic books are "just another way to get the content out." [3]
Returning to Paris in 1950, Hayter took Atelier 17 with him. Hayter was a prolific printmaker, completing more than 400 works in the medium before his death. In 1949 his book, New Ways of Gravure, was published by Pantheon Books, INC. NY. Oxford University Press published About Prints in 1962. His students included Carmen Gracia. [16]