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Film colorization (American English; or colourisation [British English], or colourization [Canadian English and Oxford English]) is any process that adds color to black-and-white, sepia, or other monochrome moving-picture images. It may be done as a special effect, to "modernize" black-and-white films, or to restore color segregation.
Distributor and color conversion company Above and Beyond: 1952: 1992: Turner Entertainment [1] The Absent-Minded Professor: 1961: 1986: The Walt Disney Company [2] (Color Systems Technology) [3] [a] An Ache in Every Stake: 1941: 2004: Columbia Pictures (West Wing Studios) [6] Across the Pacific: 1942: 1987: Turner Entertainment [7] Action in ...
Additive: multiple black-and-white images photographed through color filters are projected through corresponding filters and united on the screen. The component images may either be projected simultaneously or in rapid succession. Subtractive: the color image is physically present as transparent coloring matter in the film. No special ...
American film and television studios terminated production of black-and-white output in 1966 and, during the following two years, the rest of the world followed suit. At the start of the 1960s, transition to color proceeded slowly, with major studios continuing to release black-and-white films through 1965 and into 1966.
Excerpt from the surviving fragment of With Our King and Queen Through India (1912), the first feature-length film in natural colour, filmed in Kinemacolor. This is a list of early feature-length colour films (including primarily black-and-white films that have one or more color sequences) made up to about 1936, when the Technicolor three-strip process firmly established itself as the major ...
Méliès sold black-and-white and color prints of the film through his Star Film Company, [19] where the film was assigned the catalogue number 399–411 [2] [m] and given the descriptive subtitle Pièce à grand spectacle en 30 tableaux. [12] [n] In France, black-and-white prints sold for ₣560, and hand-colored prints for ₣1,000. [29]
According to the DVD audio commentary, it was the decision of director Guy Green that A Patch of Blue be filmed in black and white although color was available. The film was adapted by Guy Green from the 1961 book Be Ready with Bells and Drums by the Australian author Elizabeth Kata. The book later won a Writers Guild of America award. The book ...
A tie-in book was first published by Doubleday Books, (now Penguin Random House), in 1957, using black and white and color stills from the film, with added prose. It was highly acclaimed and went on to win a 'New York Times Best Illustrated Children's Book of the Year'.
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