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District of Columbia v. Heller, 554 U.S. 570 (2008), is a landmark decision of the Supreme Court of the United States.It ruled that the Second Amendment to the U.S. Constitution protects an individual's right to keep and bear arms for traditionally lawful purposes such as self-defense within the home, and that the District of Columbia's handgun ban and requirement that lawfully owned rifles ...
Catch-22 is a satirical war novel by American author Joseph Heller.It was his debut novel.He began writing it in 1953; the novel was first published in 1961. Often cited as one of the most significant novels of the twentieth century, [3] it uses a distinctive non-chronological third-person omniscient narration, describing events from the points of view of different characters.
First Lieutenant Milo Minderbinder is a fictional character in Joseph Heller's 1961 novel, Catch-22.As the mess officer of Yossarian's squadron, Minderbinder is an entrepreneur during World War II, "perhaps the best known of all fictional businessmen" in American literature. [1]
In Heller v. District of Columbia, the Supreme Court misinterpreted the Second Amendment. The current court should overturn that decision.
This article about a collection of short stories published in the 2000s is a stub. You can help Wikipedia by expanding it.
Heller concludes that we do not learn from history (and in fact so much of history may be nonfactual that learning may be impossible). Being a pessimist chronicler of the American Century, his main unspoken theme is of course parallels between the onetime Hellenic overlord respective the onetime ruler of the seas, and his home country.
Indeed, it is possible to read the book as Heller's meditation upon his own mortality, and an exploration of the Jewish view of family, life, death, etc. All of the major touchstones of King David's life are in place: his childhood herding sheep, the prophet Samuel , Goliath , King Saul , Jonathan (and homosexual innuendoes), Bathsheba and ...
The most insight Heller provides into his body of his work is a discussion in the penultimate chapter of his experience with psychoanalysis. Heller revisits his father's death in the chapter, and notes how so many of his works have a prominent, but not central, character's death described in the penultimate chapter (e.g., Snowden in Catch-22 ...