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Mildred Glimcher, Jean Dubuffet: Towards an Alternative Reality. New York: Pace Gallery 1987 ISBN 0-89659-782-2; Mechthild Haas, Jean Dubuffet, Berlin: Reimer, 1997 (German) ISBN 3-49601-176-9; Jean Dubuffet, Paris: Centre Georges Pompidou, 2001 ISBN 2-84426-093-4; Laurent Danchin, Jean Dubuffet, New York: Vilo International, 2001 ISBN 2-87939 ...
Aloïse Blanche Corbaz (28 June 1886 – 5 April 1964) was a Swiss outsider artist included in Jean Dubuffet's initial collection of psychiatric art. She is one of very few acclaimed female outsider artists.
La Chiffonnière ("Rag Woman") [1] is a stainless steel sculpture by French artist Jean Dubuffet, installed in Justin Herman Plaza, [2] [3] in San Francisco's Financial District, in the U.S. state of California. The 22-foot (6.7 m) tall, 4,500 pound artwork was conceived in 1972 and completed in 1978.
Aéroports de Paris Exhibits Jean Dubuffet - the Hourloupe Cycle; from Painting to Monumental Sculpture, in the Espace Musées (Museum Area) of Paris-Charles De Gaulle Airport PARIS--(BUSINESS ...
Dubuffett was at the time a great admirer of American Jazz, in particular of Louis Armstrong.He created three Jazz inspired paintings in December 1944. He felt particularly inspired by their improvisational style of music to create works that could be seen as their equivalent in painting, like he stated in a 1963 letter. [2]
Cows and Groomers is an oil painting on canvas by the French artist Jean Dubuffet, dated from August 1943.It is held in the collection of the Unterlinden Museum in Colmar, Alsace (inventory number 2008.8.22). [2]
Koczy's work is housed in institutions such as the Guggenheim (both in New York and Venice), the Illinois Holocaust Museum and Education Center, the Milwaukee Art Museum, the Kupferberg Holocaust Resource Center and Art Gallery/Museum, the Collection de l'art brut in Lausanne (where in 1985 she inaugurated Jean Dubuffet's Neuve Invention Annex ...
Dubuffet believed that art addressed itself to the mind and not the physical world. With works such as Courre Merlan that portray objects with little or no reference to their actual colors or dimensions, he intended to prove that the world within the painting might be just as real as the physical world.