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Looking for ideas for a new subject, Adès saw Jonathan Kent's staging of Shakespeare's The Tempest at the Almeida Theatre in London in 2000. [7] For a new libretto, Adès turned to the experienced dramatist Meredith Oakes, whose work had included a short opera libretto for Miss Treat (2002); since the early 1990s, several original plays, translations and adaptations of classics and modern ...
EMI's recording of the Covent Garden performance of The Tempest won Adès the title of Composer of the Year in the 2010 Classical BRIT Awards. [23] The Metropolitan Opera, New York, included The Tempest in its 2012–13 season, conducted by Adès and produced by Robert Lepage. [24] [25] The same production was seen in Vienna in the summer of 2015.
Opera: 2003: The Tempest: for soloists, chorus and orchestra: libretto by Meredith Oakes based on the play by William Shakespeare; in 3 acts Orchestral: 2004: Overture to The Tempest: for orchestra: Vocal: 2004: Scenes from The Tempest: for Soloists and orchestra: Concertante: 2005: Violin Concerto: for violin and chamber orchestra: subtitled ...
During the 2005–2006 season he played plantation owner Edward Gaines in the opera, Margaret Garner, at Opera Philadelphia, Cincinnati Opera, and Michigan Opera Theatre. During August 2006 he portrayed Prospero in Thomas Ades ' The Tempest with the Santa Fe Opera , one of the few rôles in new opera that he did not originate.
The program will include works by Handel, Haydn and Beethoven in the first act, and Thomas Ades’ “Traced Overhead,” described by a critic as “inspired partly by images from sacred ...
He was the first Ferdinand in Thomas Adès' opera The Tempest at Covent Garden, and reprised the role in the work's American premiere production at Santa Fe Opera. He has since performed the role of Antonio in the same opera. [6] Following The Tempest he has been invited back regularly to Covent Garden in operas by Rossini, Janáček and Wagner ...
Priscilla German Reed, English singer and actress Thomas German Reed, English composer and theatre manager Thomas German Reed (with W. S. Gilbert): Our Island Home; Carlo Gesualdo, Italian composer and murderer Marc-André Dalbavie: Gesualdo (2010) Francesco d'Avalos: Maria di Venosa (1992) Scott Glasgow: The Prince of Venosa (1998)
Thomas Adès curated the L.A. Phil's Gen X festival, a celebration of visionaries from that generation. A highlight: his orchestral "Dante."