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In 1774, William Richardson sounded the key notes of this analysis: Hamlet was a sensitive and accomplished prince with an unusually refined moral sense; he is nearly incapacitated by the horror of the truth about his mother and uncle, and he struggles against that horror to fulfill his task.
He wrote a stunning review, [1] followed by several others applauding (but sometimes censuring) [2] Kean's performances in other Shakespearean tragedies, including King Richard II, King Richard III, Hamlet, Macbeth, Romeo and Juliet, and, what Hazlitt considered the best of Kean's performances, Othello. [3]
W. S. Gilbert's play (1874) is a comedy in which Rosencrantz plots with his friend Guildenstern to get rid of Hamlet, so that Rosencrantz can marry Ophelia. They discover that Claudius has written a play. The king's literary work is so embarrassingly bad that Claudius has decreed that anyone who mentions it must be executed.
Rosencrantz and Guildenstern, A Tragic Episode, in Three Tabloids is a short play by W. S. Gilbert that parodies William Shakespeare's Hamlet. The main characters in Gilbert's play are King Claudius and Queen Gertrude of Denmark, their son Prince Hamlet , the courtiers Rosencrantz and Guildenstern , and Ophelia .
The next two scenes at court are from the plot of Hamlet. The first, involving Hamlet and Ophelia, takes place offstage in Hamlet—the stage directions repeat exactly the words with which Ophelia describes the event to Polonius in Hamlet. The second is taken directly from Hamlet: Rosencrantz and Guildenstern's first appearance in that play ...
Hamlet and His Problems" is an essay written by T. S. Eliot in 1919 that offers a critical reading of Hamlet. The essay first appeared in Eliot's The Sacred Wood: Essays on Poetry and Criticism in 1920. It was later reprinted by Faber & Faber in 1932 in Selected Essays, 1917-1932. [1]
Hamlet and Oedipus is a study of William Shakespeare's Hamlet in which the title character's inexplicable behaviours are subjected to investigation along psychoanalytic lines. [ 1 ]
Comparison of the "To be, or not to be" speech in the first three editions of Hamlet, showing the varying quality of the text in the Bad Quarto, the Good Quarto, and the First Folio. "To be, or not to be" is a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare's play Hamlet (Act 3, Scene 1).