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The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
The track was covered by The Crew-Cuts, who took the song to the top of the charts, arguably registering the first U.S. rock and roll number one hit record. [ 2 ] The enthusiasm doo-wop fans had for the Chords' music was dampened when Gem Records claimed that one of the groups on its roster was called the Chords; consequently the group changed ...
It is sometimes considered the first doo-wop or rock and roll record to reach the top ten on the pop charts (as opposed to the R&B charts), as it was a top-10 hit that year for both the Chords (who first recorded the song) and the Crew-Cuts. [2] In 2004, it was ranked No. 215 on Rolling Stone's "Top 500 Best Songs of All Time". [3]
The B-side of the single was the song "My Darling To You", which while not as popular when released has over the years become a more popular and recognizable recording for the group. In July 1956 The Bop Chords would make a debut performing for a week at the Apollo Theater with The Cadillacs and LaVern Baker.
It does not accurately represent the chord progressions of all the songs it depicts. It was originally written in D major (thus the progression being D major, A major, B minor, G major) and performed live in the key of E major (thus using the chords E major, B major, C♯ minor, and A major). The song was subsequently published on YouTube. [9]
In Superman Returns (2006), Jason White was tinkering with this song on the piano throughout the movie. In one scene, one of Lex Luthor's henchmen joins Jason for a piano duet on the ship. In 2011, the song was featured in Family Guy S09E16 ("The Big Bang Theory") at 5:50, when Stewie shows Brian that they can do everything outside space and time.
The song begins with a minor i chord in the key of D minor, moves to a major IV, comes back to the minor i, and then moves to a major VI chord, a IV in the key of F. The song then modulates to the key of F major (the relative major of D minor) through a substituted plagal cadence, using a I-ii progression to solidify the new tonic of F.
Nino and the Ebb Tides released a version of the song as a single in 1961, but it did not chart. [3] Ted Knight released a version of the song on his 1975 album Hi Guys. [4] John Cafferty and the Beaver Brown Band released a version of the song on the 1983 soundtrack album for the film Eddie and the Cruisers. Kenny Vance sang lead on the song. [5]
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