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"Don't Talk to Strangers" is a song written and performed by Australian musician Rick Springfield. It was released as a single in 1982, from the album Success Hasn't Spoiled Me Yet. The song reached number two on the U.S. Billboard Hot 100 for four weeks, making it his second biggest hit in the US after the number-one hit, "Jessie's Girl".
Success Hasn't Spoiled Me Yet is the sixth studio album by Australian rock musician Rick Springfield, released by RCA Records in 1982. The album was certified platinum in the United States, and produced three top 40 singles: "Don't Talk to Strangers" (No. 2 for four weeks), "What Kind of Fool Am I" (No. 21, not the show tune of the same name) and "I Get Excited" (No. 32).
"Don't Talk to Strangers" was written by Hedley and Jason Van Poederooyen while production was handled by Brian Howes who also co-wrote the track. [2] [3] The song is a rap-influenced track, [4] and features a more darker refrain. [5] Speaking about the song, Hoggard stated; "That song may or may not have been inspired by a cougar experience.
"Don't Talk to Strangers" is a song by American rock group The Beau Brummels, released as the second single from the band's second album, The Beau Brummels, Volume 2. The song later appeared on the band's 1987 compilation album The Best of The Beau Brummels 1964–1968 .
Rick Springfield was born Richard Lewis Springthorpe on 23 August 1949 in Guildford, [1] a western suburb of Sydney. [2] [3] He is the son of Eileen Louise (Evennett) and Norman James Springthorpe, an Australian Army career officer.
Rich Fury/Getty Images The biggest featured guest on Drake’s new album isn’t Bad Bunny, Chief Keef, J. Cole, SZA or 21 Savage — that credit goes to his son, Adonis. Adonis, who turns 6 on ...
Holy Diver – Live is a live album by American heavy metal band Dio, recorded on tour in 2005.On disc 1, the band performs Holy Diver in its entirety, while disc 2 contains live versions of other songs from Dio's back catalog.
A reviewer of Dusty Groove stated: "Could anyone ever utter a sexier line than "'Don't go to strangers, come to me?' We think not, and it's material like that that makes the album a real killer from Etta Jones – one of her best from the 60s, cut when she was really developing her skills as a vocalist, but still had enough of an edge to be interesting.