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1779 drawing by Marcus Schnabel The two remaining figures. The Grevensvænge hoard is a find of the late Nordic Bronze Age (roughly dating to between 800 BC and 500 BC), discovered in the late 18th century at Grevensvænge, Næstved Municipality, Zealand, Denmark. The hoard consisted of seven bronze figurines.
The Ain Sakhri figurine or Ain Sakhri Lovers is a Natufian sculpture that was found in one of the Ain Sakhri caves near Bethlehem. [1] It is approximately 11,000 years old and thought to be the oldest known representation of two people engaged in sexual intercourse. [ 2 ]
The Byblos figurines or Phoenician statuettes are approximately 1,500–2,000 ex-voto statuettes found in ancient Phoenician temples in Lebanon, primarily in Byblos, but also in Kamid al lawz. The statuettes date to the second millennium BC and are made of bronze, silver, or copper alloy.
It was a bronze edition of 7; the artist's copy ("0/7") is in Kew Gardens in London, loaned by the Henry Moore Foundation [3] another in the Hofgarten, Düsseldorf (illustrated), [4] and one at the Hirshhorn Museum and Sculpture Garden in Washington D.C. [5] [6] The plaster model is at the Art Gallery of Ontario. [7]
Bronze is the most popular metal for cast metal sculptures; a cast bronze sculpture is often called simply "a bronze". It can be used for statues, singly or in groups, reliefs , and small statuettes and figurines , as well as bronze elements to be fitted to other objects such as furniture.
The Thinker figurine is made of fired clay and depicts a person seated with their chin resting on one hand, suggesting deep contemplation. The figurine is 4.5 inches (11 cm) tall. [ 8 ] This posture unmistakably conveys a meditative disposition, which led to its name, The Thinker , [ 9 ] drawing inspiration from Rodin 's renowned sculpture of a ...
Several statues were also found in excavations carried out in Etruscan tombs of central Italy from the 9th-8th centuries BCE. Probably obtained with the lost wax technique, they can measure up to 39 cm. They represent scenes of everyday life of the nuragic people, depicting characters from various social classes, animal figures, warriors ...
A copy of the maquette was made in plaster, but only fragments survive. It was used to scale up the sculpture to a full-size plaster working model, Maquette for King and Queen 1952–3. Anthony Caro made a three quarter size terracotta model of the queen figure, which was cast in bronze in an edition of five, as Seated Figure 1952–3 (LH 345 ...
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