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The drum is tuned to a specific note, usually either the tonic, dominant or subdominant of the soloist's key and thus complements the melody. This is the ground note of the raga called Sa (the tonic in Indian music). [4] The tuning range is limited although different dāyāñs are produced in different sizes, each with a different range.
These two membranes are dissimilar in diameter to allow for the production of both bass and treble sounds from the same drum. The bass aperture is known as the thoppi or eda bhaaga and the smaller aperture is known as the valanthalai or bala bhaaga. The smaller membrane, when struck, produces higher pitched sounds with a metallic timbre.
These drums disseminated to the Indian subcontinent with the Mughal migration, and from India spread worldwide with the Indian diaspora. The tassa drum proper is a conical or bowl-shaped nagaara- (aka nagada or nagaada) type drum which is played with a heavy bass drum called dhol, or simply "bass", and brass cymbals or metal shakers called ...
The larger drum head has a compound of tar, clay and sand, called "masala" which is applied to lower the pitch and produce the sound. The smaller drumhead is played with the person's dominant hand, while the larger is played by the person's weaker hand. A dholak can either be fitted with a nuts and bolts or a rope and steel rings for tuning.
The khol is a terracotta two-sided drum used in northern and eastern India for accompaniment with devotional music . It is also known as a mridanga (< Sanskrit mṛd + aṅga, lit. ' clay limb '), not to be confused with mridangam. It originates from the Indian states of Odisha, West Bengal, Assam and Manipur. The drum is played with palms and ...
The dhol is a double-sided barrel drum played mostly as an accompanying instrument in regional music forms. In Qawwali music, the term dhol is used to describe a similar, but smaller drum with a smaller tabla, as a replacement for the left-hand tabla drum. The typical sizes of the drum vary slightly from region to region.
In drum circles like those in Minneapolis, where many Natives are Ojibwe and Lakota, there is a lead singer, who starts each song before passing on the beat and verse to others seated at the drum ...
The Sounds of India is an album by Ravi Shankar which introduces and explains Hindustani classical music to Western audiences. Released by Columbia Records in 1957, it was influenced by Ali Akbar Khan's The Sounds of India, [1] and recorded and produced by George Avakian in 1957 at Columbia's New York studio.