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Ogata Kōrin (Japanese: 尾形光琳; 1658 – June 2, 1716) was a Japanese landscape illustrator, lacquerer, painter, and textile designer of the Rinpa School. [ 1 ] [ 2 ] Kōrin is best known for his byōbu folding screens, such as Irises [ 3 ] and Red and White Plum Blossoms [ 4 ] (both registered National Treasures ), and his paintings on ...
The Anglo-Japanese style developed in the United Kingdom through the Victorian era and early Edwardian era from approximately 1851 to the 1910s, when a new appreciation for Japanese design and culture influenced how designers and craftspeople made British art, especially the decorative arts and architecture of England, covering a vast array of art objects including ceramics, furniture and ...
The hashira-ma might be filled with fixed walls, in cheaper Japanese homes. For example, there might be lath-and-plaster walls, or in colder areas thatch walls; these are still used in rustic teahouses and historic buildings (see images). Bark-and-bamboo walls, clapboard, and board-and-batten walls were also used. [91]
Japanese art consists of a wide range of art styles and media that includes ancient pottery, sculpture, ink painting and calligraphy on silk and paper, ukiyo-e paintings and woodblock prints, ceramics, origami, bonsai, and more recently manga and anime.
Battened clapboard wall [1] [28] Clapboarding with notched vertical battens over the boards. Bark-and-batten wall (Japanese term?) more images: Bark-and-batten wall Vertical sheets of bark, held down with horizontal battens; used as a stand-alone wall or as a decorative facing. [1] Used on poorer houses in the south of Japan in the 1880s. [1]
A six-panel byōbu from the 17th century Pair of screens with a leopard, tiger and dragon by Kanō Sanraku, 17th century, each 1.78 m × 3.56 m (5.8 ft × 11.7 ft), displayed flat Left panel of Irises (燕子花図, kakitsubata-zu) by Ogata Kōrin, 1702 Left panel of the Shōrin-zu byōbu (松林図 屏風, Pine Trees screen) by Hasegawa Tōhaku, c. 1595 Byōbu depicting Osaka from the early ...
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