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"Season of the Witch" is a song by Scottish singer-songwriter Donovan released in August 1966 on his third studio album, Sunshine Superman. The song is credited to Donovan, although sometime collaborator Shawn Phillips has also claimed authorship. [ 5 ]
Super Session is an album by the singer and multi-instrumentalist Al Kooper, with the guitarists Mike Bloomfield on the first half and Stephen Stills on the second half. . Released by Columbia Records in 1968, it peaked at No. 12 on the Billboard 200 during a 37-week chart stay and was certified gold by
Season of the Witch is a 2011 American supernatural action-adventure film directed by Dominic Sena, written by Bragi Schut, and starring Nicolas Cage and Ron Perlman. [3] Cage and Perlman star as Teutonic Knights who return from the Crusades to find their homeland devastated by the Black Death .
The band released three singles after signing with Dunhill Records, beginning with a cover of Donovan's "Season of the Witch" in late 1966. Mundi departed the band after the initial release failed to garner sales and joined the Mothers of Invention. The band released additional singles with Marty Tryon on bass. [1]
Season of the Witch (originally released as Hungry Wives) is a 1972 American drama film [4] written and directed by George A. Romero, and starring Jan White, Raymond Laine, and Anne Muffly. The film follows a housewife in suburban Pittsburgh who becomes involved in witchcraft after meeting a local witch.
Netflix released the list of instrumental covers that will be in season two, including "Sign of the Times" by Harry Styles and "Diamonds" by Rihanna.
The instrumental pop covers in Bridgerton have become a hallmark of the Netflix Regency romance—and this season doesn't disappoint, featuring covers of songs by Taylor Swift, Billie Eilish, and BTS.
Season of the Witch: Enchantment, Terror, and Deliverance in the City of Love is a history book by best-selling author David Talbot.The book captures the dark history of San Francisco from the 1960s to the early 1980s utilizing a “kaleidoscopic narrative” [1] and tells the story of how "the 1967 Summer of Love gave way to 20 or so winters of discontent."