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The Bauhaus typeface design is based on Herbert Bayer's 1925 experimental Universal typeface and the Bauhaus aesthetic overall. The Bauhaus school sought to modernize, unify and standardize design into an idealistic form that would combine function with aesthetics. One aspect of their many proposed reforms was a series of related Bauhaus typefaces.
Flat art developed out of the rise of vector graphic programs, and a nostalgia for mid-century modern illustration. [3] It began to trend in editorial illustration and especially the tech industry, which relied on simple, scalable illustrations to fill white space and add character to apps and web pages. [ 1 ]
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The font has also been used on the cornerstone of the One World Trade Center in New York. It is also the current font used in MPA title cards for film trailers in the U.S. Developed for professional use, Gotham is an extremely large family, featuring four widths, eight weights, and separate designs for screen display and a rounded version.
Bank Gothic is a rectilinear geometric sans-serif typeface designed by Morris Fuller Benton for American Type Founders and released in 1930. [1] The design has become popular from the late twentieth century to suggest a science-fiction, military, corporate, or sports aesthetic.
After its release in 1922, Cooper Black quickly became a popular typeface for use in advertising, especially in newspapers. [12] Although its use in advertising declined in the 1960s, it became much more popular in pop culture after appearing on the cover art for the 1966 album Pet Sounds by The Beach Boys. [13]
New Swiss road signs near Lugano use the typeface ASTRA-Frutiger.. Frutiger is a sans-serif typeface by the Swiss type designer Adrian Frutiger.It is the text version of Frutiger's earlier typeface Roissy, commissioned in 1970/71 [6] by the newly built Charles de Gaulle Airport at Roissy, France, which needed a new directional sign system, which itself was based on Concorde, a font Frutiger ...
Font Bureau Agency is a geometric sans-serif typeface family intended for titles and headings, released between 1990 and 1995. [ 1 ] [ 2 ] It was designed by David Berlow of Font Bureau . It is an expansion of a capitals-only titling face created in the 1930s by Morris Fuller Benton , adding lower-case characters and a wider range of widths and ...