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DOD Electronics, or simply DOD, also known as their brand name DigiTech, is an American manufacturing company that makes guitar effects pedals, as well as active crossover gear. DOD is owned by Cortek, the parent company of Cort Guitars. Their DigiTech Whammy pedal has been called "one of the most significant innovations in pedal tech". [1]
The guitar tech also might perform any of a variety of maintenance tasks, such as checking that the string height of the guitars is set properly, modifying ("dressing") the height and arc of the frets, adjusting the intonation of the instruments, checking that tubes (valves) on tube amplifiers are working properly, and that cables are in good condition and free from crackles and hum caused by ...
BJFE Guitar Effects is a company which manufactures effects pedals for use with instruments such as an electric guitar. These pedals are commonly used by guitarists to modify the sound of their guitar before it reaches the amp. The company is located in Sweden, and was founded in 2000 by Björn Juhl.
The Klon Centaur is an overdrive pedal made by the American engineer Bill Finnegan between 1994 and 2008. Finnegan aimed to create a pedal that would recreate the harmonically rich distortion of a guitar amplifier at a high volume. Finnegan struggled to meet demand, and used units sold for inflated prices.
The pedal also features an external effects loop) "Small Box" RAT (Bent steel U-shape enclosure) R2DU (19 inch rackmountable double RAT pedal, usable in cascade mode or dual channel) BRAT / Roadkill ('budget' USA-made RAT2 derivative circuit designed for Guitar Center including the Motorola LM308 opamp with LEDs in the negative-feedback loop.
Like other pedals of the time, MXR pedals prior to 1981 did not have LEDs, A/C adaptor jacks, or true-bypass switching. The first period is known as the "Script period," in reference to the cursive logo on the case. The earliest script logo pedals were made in the basement shop of the MXR founders [5] and the logos were silk screened. These ...
Designed for electric guitar and bass and operated by the player's foot, distortion pedals are most frequently placed in the signal chain between the guitar and amplifier. The use of distortion pedals was popularized by Keith Richard 's use of a Maestro FZ-1 Fuzz-Tone pedal on the 1965 Rolling Stones song " (I Can't Get No) Satisfaction ".
In the early 1960s, Rowe Industries created a line of guitar amplifiers, including a series for C. F. Martin & Company. Seeing a rising market for relatively simple (yet profitable) effects devices, in the later 1960s Rowe increased output of new effects-box models, the Square Wave Distortion Generator and the DeArmond Wa-Wa pedal.
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