Search results
Results from the WOW.Com Content Network
Color symbolism in art, literature, and anthropology is the use of color as a symbol in various cultures and in storytelling. There is great diversity in the use of colors and their associations between cultures [ 1 ] and even within the same culture in different time periods. [ 2 ]
Color theory, or more specifically traditional color theory, is a historical body of knowledge describing the behavior of colors, namely in color mixing, color contrast effects, color harmony, color schemes and color symbolism. [1] Modern color theory is generally referred to as color science.
However, connotative color associations and color symbolism tends to be culture-bound and may also vary across different contexts and circumstances. For example, red has many different connotative and symbolic meanings from exciting, arousing, sensual, romantic and feminine; to a symbol of good luck; and also acts as a signal of danger.
When you see posters and graphics related to Black History Month, chances are you'll see them designed with the same four colors: red, black, green, and gold.
In Germany, Wassily Kandinsky and other Russian émigrés formed the art group called Der Blaue Reiter (The Blue Rider), and used blue to symbolize spirituality and eternity. [58] Henri Matisse used intense blues to express the emotions he wanted viewers to feel. Matisse wrote, "A certain blue penetrates your soul." [59]
Some symbolism appears commonly in works of poetry, fiction, or visual art. For instance, often, a rose symbolizes beauty; a lion symbolizes strength; and certain colors symbolize national flags and thus, by extension, certain nations. [3] The latter is specifically an example of color symbolism.
Mandala of Vishnu. In Hinduism, a basic mandala, also called a yantra, takes the form of a square with four gates containing a circle with a centre point.Each gate is in the general shape of a T. [3] Mandalas often have radial balance.
Christ at Rest, by Hans Holbein the Younger, 1519, a chiaroscuro drawing using pen, ink, and brush, washes, white heightening, on ochre prepared paper. The term chiaroscuro originated during the Renaissance as drawing on coloured paper, where the artist worked from the paper's base tone toward light using white gouache, and toward dark using ink, bodycolour or watercolour.