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Etruscan women attended banquets alongside men, unlike their Greek contemporaries where democracy was a male-only affair. Greek, and later Roman writers therefore gave Etruscan women a scandalous reputation, although this discredit – the Etruscan truphè – more generally concerned the morals of both sexes. [19]
Such archaeological evidence reveals valuable data not just about the individual woman herself, but also about women's history in ancient regions more generally. As many scholars have noted, archaeology provides an important corrective because ancient literary sources often emphasized elite women, were written by male authors, or the women were ...
The first version of Cloelia's escape recognizes that the female hostages went to the river to bathe. Having persuaded their guards to leave them alone at the river, in order to remain modest, they swam across the river into Roman territory. The second version claims that Cloelia escaped from the Etruscan camp, leading away a group of Roman ...
The Romans themselves identified a good many gentes at Rome that were originally Etruscan and since then scholars have spotted more. It is not unlikely that much of the patrician class, which was most powerful under the Etruscan kings, was derived from or was an Etruscan model, which dated to no earlier than the 8th century BC.
Etruscan history is the written record of Etruscan civilization compiled mainly by Greek and Roman authors. Apart from their inscriptions, from which information mainly of a sociological character can be extracted, we do not have any historical works written by the Etruscans themselves, nor is there any mention in the Roman authors that any was ...
A statue is seen at the site of the discovery of two dozen well-preserved bronze statues from an ancient Tuscan thermal spring in San Casciano dei Bagni, central Italy, in this undated photo made ...
The sarcophagus is a masterpiece of Etruscan artwork. The deceased woman's name is inscribed in Etruscan along the base of the chest. She must have belonged to one of the richest families of Chiusi, as Seianti is dressed sumptuously for the occasion, wearing an ornate gown and cloak, with complicated drapery falling sinuously over her body, and adorned with a tiara, earrings, bracelets and a ...
A notable mirror from Volterra depicts Uni nursing an adult demigod Hercle (the Greek Heracles or Roman Hercules). Tinia, amongst other gods present at the scene, points to a tablet with the inscription indicating the significance of the event: "eca: sren: tva: iχnac hercle:unial clan: θra:sce" meaning "this picture shows how Hercle became Uni's son". [6]