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Caravaggio's innovations inspired Baroque painting, but the latter incorporated the drama of his chiaroscuro without the psychological realism. [dubious – discuss] The style evolved and fashions changed, and Caravaggio fell out of favour. In the 20th century, interest in his work revived, and his importance to the development of Western art ...
The Supper at Emmaus is a painting by the Italian Baroque master Caravaggio, executed in 1601, and now in London. It depicts the Gospel story of the resurrected Jesus's appearance in Emmaus. Originally this painting was commissioned and paid for by Ciriaco Mattei, brother of cardinal Girolamo Mattei.
The painting was discovered in a private collection in 1959. The early Caravaggio biographer Giovanni Bellori, writing in 1673, mentions a Salome with the Head of John the Baptist sent by the artist to the Grand Master of the Knights of Malta in the hope of regaining favour after having been expelled from the Order in 1608.
In 2013, a touring Caravaggio exhibition called "Burst of Light: Caravaggio and His Legacy" opened in the Wadsworth Atheneum Museum of Art in Hartford, Connecticut. [120] The show included five paintings by the master artist that included Saint John the Baptist in the Wilderness (1604–1605) and Martha and Mary Magdalene (1589).
Saint Jerome Writing (Caravaggio, Valletta) St John the Baptist at a Spring; Saint Matthew and the Angel; Salome with the Head of John the Baptist (Caravaggio, London) Salome with the Head of John the Baptist (Caravaggio, Madrid) The Seven Works of Mercy (Caravaggio) Still Life with Fruit (Caravaggio) Supper at Emmaus (Caravaggio, London)
Salome with the Head of John the Baptist, Caravaggio (London). Completed in 1608 in Malta, the painting had been commissioned by the Knights of Malta as an altarpiece; [1] [10] it was the largest altarpiece which Caravaggio would ever paint. [11]
An art collector is suing the famed auction house Sotheby's, claiming their experts failed to recognize his painting they sold was a Caravaggio masterpiece worth tens of millions before selling it ...
Boy Bitten by a Lizard (Italian: Ragazzo morso da un ramarro) is a painting by the Italian Baroque painter Caravaggio. It exists in two versions, both believed to be authentic works of Caravaggio, one in the Fondazione Roberto Longhi in Florence, the other in the National Gallery, London.
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