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The compression of expression that they achieved by following the Greek example complemented the proto-Imagist interest in Japanese poetry, and, in 1912, during a meeting with them in the British Museum tea room, Pound told H.D. and Aldington that they were Imagistes and even appended the signature H.D. Imagiste to some poems they were discussing.
The lyric poetry of Europe in this period was created by the pioneers of courtly poetry and courtly love largely without reference to the classical past. [11] The troubadors , travelling composers and performers of songs, began to flourish towards the end of the 11th century and were often imitated in successive centuries.
The modern poem must not only "construct a new stage" but it must also find words that "will suffice" without merely repeating outmoded scripts and scenery, hand-me-down forms of expression and ideas. The modern poem must find what will suffice and "Make it new." Following that, the words rise from the unemphatic rhetoric to the level of poetry.
Ives also wrote a poem inspired by the sculpture as a companion piece to the music. [12] Rachmaninoff's symphonic poem Isle of the Dead is a musical evocation of Böcklin's painting of the same name. King Crimson's song "The Night Watch", with lyrics written by Richard Palmer-James, is an ekphrasis on Rembrandt's painting The Night Watch.
The trick isn’t in finding ideas, it’s in recognizing ideas that are all around us. Here’s one way to go about it. Since 2009, I’ve posted a new word on my blog on the first day of each month.
A 1913 photograph of Ezra Pound, one of the most influential modernist poets. The roots of English-language poetic modernism can be traced back to the works of a number of earlier writers, including Walt Whitman, whose long lines approached a type of free verse, the prose poetry of Oscar Wilde, Robert Browning's subversion of the poetic self, Emily Dickinson's compression and the writings of ...
The Waste Land is a poem by T. S. Eliot, widely regarded as one of the most important English-language poems of the 20th century and a central work of modernist poetry. Published in 1922, the 434-line [ A ] poem first appeared in the United Kingdom in the October issue of Eliot's magazine The Criterion and in the United States in the November ...
The Ego-Futurists were another poetry school within Russian Futurism during the 1910s, based on a personality cult. [53] [56] Most prominent figures among them are Igor Severyanin and Vasilisk Gnedov. The Acmeists were a Russian modernist poetic school, which emerged ca. 1911 and to symbols preferred direct expression through exact images.