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ne padaj mi na maline, goro zelena, ne padaj mi na maline, ružo rumena! Maline su još zelene, maline su još zelene. Kad maline budu zrele, goro zelena, kad maline budu zrele, ružo rumena. I same će opadati, i same će opadati, kao suze devojačke, goro zelena, devojačke i momačke, ružo rumena! Ој, голубе, мој голубе,
They collaborated on "Zar je ljubav spala na to" whose music was arranged by Tonči Huljić and whose lyrics were written by Vjekoslava Huljić. [2] A music video for the single was also released. It shows Rozga singing the lyrics in front of a bridge and a factory, the rest of the band driving a vintage car and Tifa singing the song on rocks ...
With Zlatni Akordi, Lisac appeared on the 1968 edition of the prominent Youth Festival, held in Subotica, with the song "Sunce sja za nas" ("The Sun Shines for Us"). [7] During the same year, Lisac made her discographic debut, on Zlatni Akordi's second EP Halo taxi , the title track originally performed on the 1968 edition of the festival Vaš ...
The chord progression is also used in the form IV–I–V–vi, as in songs such as "Umbrella" by Rihanna [5] and "Down" by Jay Sean. [6] Numerous bro-country songs followed the chord progression, as demonstrated by Greg Todd's mash-up of several bro-country songs in an early 2015 video.
The Rhapsody No. 1 in A major is dedicated to the composer and pedagogue Bernard Crocé-Spinelli (a fellow student with Enescu in André Gedalge's counterpoint class at the Conservatoire), [6] and is the better known of the two rhapsodies. The essence of this rhapsody is the dance.
Victor Ruzo (born 22 December 1913 in Straubenzell; died 26 Märch 2008 in Montreux) was a Swiss painter. [1] His artworks include 'Fine Stockings' and 'Chevaux'.
Polovina was born on 11 March 1927 in Mostar, Bosnia and Herzegovina.His father, Mušan Polovina, was an Austro-Hungarian soldier during World War I.During his service in Ljubljana, he met and married Ivanka Hlebec, making Himzo Polovina the child of an ethnically mixed marriage between a Bosniak father and a Slovene mother.
They developed an orchestra with a little tambura called the prima , 5 kontra and 1 bas. [1] The modern tamburica, used in Central Europe and the Balkans, was developed in Budapest. At the time the tamburica seemed to disappear, receding further south, as it used to be played throughout the Kingdom of Hungary, as far north as Pozsony. This ...