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Class: Geometric : Charcoal (Mac OS 9 system font) Designer: David Berlow: Chicago (pre-Mac OS 9 system font, still included with Mac OS X) Designer: Susan Kare: Adobe Clean - Adobe's now standard GUI and icon font Class: Humanist, Spurless : Clear Sans (Intel) Designer: Dan Rhatigan, George Ryan, Robin Nicholas : Clearview Designer: James ...
Samples of Monospaced typefaces Typeface name Example 1 Example 2 Example 3 Anonymous Pro [1]Bitstream Vera Sans Mono [2]Cascadia Code: Century Schoolbook Monospace
This category contains typefaces in the geometric sans-serif classification. They first appeared in the early 1920s and are characterized by geometric construction suggesting use of a compass. Pages in category "Geometric sans-serif typefaces"
The Aztec or Nahuatl script is a pre-Columbian writing system that combines ideographic writing with Nahuatl specific phonetic logograms and syllabic signs [1] which was used in central Mexico by the Nahua people in the Epiclassic and Post-classic periods. [2]
Contrary to their current perception, in its early years, the Bauhaus school printed serif art nouveau typefaces. After some years of design work at the school, Herbert Bayer and Joost Schmidt created the more recognizable proposals—sans-serif geometric letterings, with decorative elements of the font removed for a crisp industrial style.
Cast by Goudy with the proviso that the department store would have the exclusive use of the font for a time before it would be offered to the public. These were the first matrices cut by Robert Wiebking for Goudy. Pabst Roman Italic (1903, Goudy) Packard (1913, Benton), based on lettering by Oz Cooper. Packard Bold (1916, Benton) Paramount ...
The modern corporate font of Sheffield, Wayfarer designed by Jeremy Tankard, is designed with some influences of the Stephenson Blake Grotesque series but predominantly based on their unrelated sans-serif Granby. [42] [43] [11]
ITC Avant Garde Gothic is a geometric sans serif font family based on the logo font used in the Avant Garde magazine. Herb Lubalin devised the logo concept and its companion headline typeface, and then he and Tom Carnase, a partner in Lubalin's design firm, worked together to transform the idea into a full-fledged typeface.