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God's Trombones: Seven Negro Sermons in Verse is a 1927 book of poems by James Weldon Johnson patterned after traditional African-American religious oratory. African-American scholars Henry Louis Gates and Cornel West have identified the collection as one of Johnson's two most notable works, the other being Autobiography of an Ex-Colored Man. [1]
The Book of American Negro Poetry is a 1922 poetry anthology that was compiled by James Weldon Johnson. The first edition, published in 1922, was "the first of its kind ever published" [1] and included the works of thirty-one poets. A second edition was released in 1931 with works by nine additional poets.
James Weldon Johnson (June 17, 1871 – June 26, 1938) was an American writer and civil rights activist. He was married to civil rights activist Grace Nail Johnson . Johnson was a leader of the National Association for the Advancement of Colored People (NAACP), where he started working in 1917.
The song was originally written as a poem in 1899 by James Weldon Johnson, the NAACP's executive secretary for 10 years, per the NAACP.
The Creation: An Appeal to Save Life on Earth (2006), a book by biologist Edward O. Wilson "The Creation" (1927), a poem by James Weldon Johnson, published in God's Trombones: Seven Negro Sermons in Verse; La création du monde, a 1923 ballet by Darius Milhaud; Creation, an unreleased video game developed by Bullfrog Productions
Phillis Wheatley broke barriers as the first American black woman poet to be published, opening the door for future black authors. James Weldon Johnson, author, politician, diplomat and one of the first African-American professors at New York University, wrote of Wheatley that "she is not a great American poet—and in her day there were no great American poets—but she is an important ...
Later James Weldon Johnson used it in his poem "The Prodigal Son", which was published in his 1927 book of poems God's Trombones: Seven Negro Sermons in Verse. [4] The passage—which likewise refers to an arm (singular) rather than arms (plural)—reads: Young man— Young man— Your arm's too short to box with God.
The New Negro: An Interpretation (1925) is an anthology of fiction, poetry, and essays on African and African-American art and literature edited by Alain Locke, who lived in Washington, DC, and taught at Howard University during the Harlem Renaissance. [1]