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"Back Stabbers" is a 1972 song by the O'Jays. Released from the hit album of the same name, ... It was part of the soundtrack for the 1977 movie, ...
Back Stabbers is the sixth studio album by Philadelphia soul group the O'Jays, released in August 1972 on Philadelphia International Records and the iTunes version was released and reissued under Epic Records via Legacy Recordings. Recording sessions for the album took place at Sigma Sound Studios in Philadelphia, Pennsylvania in 1972.
Record World said of the single release that the "tune chugs right along with a Gamble and a Huff" and could become the biggest hit from the Back Stabbers album. [6] Recorded at Sigma Sound Studios in Philadelphia, the house band MFSB provided the backing. Besides its release as a single, "Love Train" was the last song on the O'Jays' album Back ...
Back on Top — — — — Bell: 1970 In Philadelphia: 156 37 — — Neptune: 1971 Super Bad — — — — Trip 1972 Back Stabbers: 10 3 — 49 RIAA: Gold [4] Philadelphia International: 1973 Ship Ahoy: 11 1 — 36 RIAA: Platinum [4] 1975 Survival: 11 1 91 41 RIAA: Gold [4] Family Reunion: 7 1 — 81 RIAA: Platinum [4] 1976 Message in the ...
The O'Jays on Soul Train, 1974. The group was formed in Canton, Ohio, in 1958 while its members were attending Canton McKinley High School.Originally known as The Mascots, and then The Triumphs, [5] the friends began recording with "Miracles" in 1961, which was a moderate hit in the Cleveland area.
The Very Best of the O'Jays is a compilation album featuring all their greatest hits. It is part of Sony's Playlist album series, which covers 1972 through to 1978, when the O'Jays (and Gamble & Huff) were at the peak of the Charts.
That music functions, in places, as the appropriately propulsive soundtrack to the story of a disruptive force attacking Italy’s precarious democratic system. ... back-stabber and front-stabber ...
In 1995, The Los Angeles Times dubbed "Ship Ahoy", along with the song "Don't Call Me Brother" as among "[t]he cream of the vocal trio's angry music." [12] "Don't Call Me Brother" is a nearly nine-minute long album track that protests hypocritical claims of racial unity from backstabbers. [13]
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