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The vals criollo (English: Creole waltz), or Peruvian waltz (Spanish: vals peruano), is an adaptation of the European waltz brought to the Americas during colonial times by Spain. In the Viceroyalty of Peru, the waltz was gradually adapted to the likings of the Criollo people. In the 20th century, the genre became symbolic of the nation's ...
Música criolla, Peruvian Creole music or canción criolla is a varied genre of Peruvian music that exhibits influences from European, African and Andean music. The genre's name reflects the coastal culture of Peru, and the local evolution of the term criollo, a word originally denoting high-status people of full Spanish ancestry, into a more socially inclusive element of the nation.
At 16 years old, Maceda first started experimenting with guitars and the vals criollo genre. In 1954, Maceda, along with Juan Jiron and Juan Ruiz, formed "Los Ruiseñores." In 1955, Paco Maceda teamed up with Luis Abanto Morales to write the hit song "Nunca Podran." Genaro Ganoza Torres, co-founder of Los Kipus, was born on July 10, 1931.
The song "Que nadie sepa mi sufrir", was composed in 1936 by Ángel Cabral, with Spanish lyrics by Enrique Dizeo, both of Argentine origin, as a Peruvian waltz.Peruvian waltz, also known as vals criollo ("creole waltz"), was a popular genre in Hispanic America between the 1930s and 1950s, and the song, initially covered by Argentine singer Hugo del Carril, became a regional hit.
Lucha Reyes and the ensemble Los Morochucos made a name for black performers among the leading interpreters of the vals criollo and marinera genres. The vals criollo derives from the Viennese waltz. The music is not originally African -Peruvian, but was converted by phrasing lyrics and playing the vals criollo with slightly off-beat accents ...
Felipe Pinglo Alva (July 18, 1899 - May 13, 1936), known as the father of Peruvian Musica criolla and nicknamed the "Immortal Bard" or ("Bardo Inmortal" in Spanish), [1] was an influential and prolific poet and songwriter best known for his often covered "El Plebeyo" (The Commoner).
Ricardo Miranda Tarrillo, "Música criolla del Perú: Breve historia" (1989, Peru Ministerio de Educación) G. Bulnes Mallea, "Chabuca: Semblanza de Isabel Granda Larco" (1990, Lima: Concytec) Florian Furtwängler, "Chabuca Granda: Musikalishe Impressionen aus Lima" (1980, video documentary by Radiodifusión Bávara)
El Vals Criollo (Vals peruano) is a subgenre and musical adaptation of the original European waltz, originated in Peru or also called a genre of Afro-Peruvian Creole music. Huaconada (Wanka) is a ritual dance that is represented in the town of Mito, Concepción Province, Junín Region, located in the Central Andes of Peru.