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Pages in category "Collection of the Metropolitan Museum of Art" The following 26 pages are in this category, out of 26 total. This list may not reflect recent changes .
The museum's collection of American art returned to view in new galleries on January 16, 2012. The new installation provides visitors with the history of American art from the 18th through the early 20th century. The new galleries encompasses 30,000 square feet (2,800 m 2) for the display of the museum's collection. [52]
The Digital Collections seeks to digitize rare and unique materials that have not yet been digitized anywhere else on the web. [5] Highlights from the Digital Collections include: Metropolitan Museum of Art publications; Rare books in the Thomas J. Watson Library Collection; Brummer Gallery Records; Costume Institute fashion plates; Manuscripts
The Dance Class (Degas, Metropolitan Museum of Art) The Dancing Class; Davis Madonna; The Dead Christ with Angels; The Death of Harmonia; The Death of Socrates; The Defense of Champigny; Delirious Hem; The Deluge towards Its Close; The Denial of Saint Peter (Caravaggio) Diana and Cupid; The Doge's Palace Seen from San Giorgio Maggiore (Claude ...
The guide, with a foreword by the museum director Philippe de Montebello, was first produced in 1983 and the edition from 1994 has been digitized. This guide was a new pocketbook version of the magazine-format guidebook published in 1972 as Guide to The Metropolitan Museum of Art, edited by Nora Beeson during Thomas Hoving's tenure. [1]
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The Cloisters is governed by the board of the Metropolitan Museum of Art. The Metropolitan's collections are owned by a private corporation of about 950 fellows and benefactors. The board of trustees comprise 41 elected members, several officials of the City of New York, and persons honored as trustees by the museum.
The Jack and Belle Linsky Collection is a group of over 380 European works of art, including 229 18th-century porcelain sculptures, amassed over forty years and donated to The Metropolitan Museum of Art by Belle Linsky in 1982, after the death of her husband, Jack, in 1980. [1]