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Typefaces and fonts introduced in 1969 (2 P) Pages in category "Typefaces and fonts introduced in the 1960s" The following 2 pages are in this category, out of 2 total.
Groovy (or, less commonly, groovie or groovey) is a slang colloquialism popular during the 1960s and 1970s. It is roughly synonymous with words such as "excellent ...
If 60's Were 90's is an album by techno-dance band Beautiful People featuring numerous samples from Jimi Hendrix songs. [2] It spawned the hits "Rilly Groovy," which reached number three on the Hot Dance Club Songs chart [1] and the title track "If 60's Were 90's", which reached number 74 on the UK Singles Chart [3] and number five on the Hot Dance Club Songs chart.
GNU FreeFont (also known as Free UCS Outline Fonts) is a family of free OpenType, TrueType and WOFF vector fonts, implementing as much of the Universal Character Set (UCS) as possible, aside from the very large CJK Asian character set. The project was initiated in 2002 by Primož Peterlin and is now maintained by Steve White.
Impact is a sans-serif typeface in the industrial or grotesque style designed by Geoffrey Lee in 1965 and released by the Stephenson Blake foundry of Sheffield. [1] It is well known for having been included in the core fonts for the Web package and distributed with Microsoft Windows since Windows 98.
misc-fixed is a collection of monospace bitmap fonts that is distributed with the X Window System. It is a set of independent bitmap fonts which—apart from all being sans-serif fonts—cannot be described as belonging to a single font family. The misc-fixed fonts were the first fonts available for the X Window System.
Harpers Bizarre was an American sunshine pop band of the 1960s, best known for their Broadway/sunshine pop sound and their cover of Simon & Garfunkel's "The 59th Street Bridge Song (Feelin' Groovy)." Career
The Hershey fonts are a collection of vector fonts developed c. 1967 by Dr. Allen Vincent Hershey at the Naval Weapons Laboratory, [1] [2] [3] originally designed to be rendered using vectors on early cathode ray tube displays. Decomposing curves to connected straight lines allowed Hershey to produce complex typographic designs.