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The Blasters was critically well received. Reviewing the album in 1982 for The Village Voice, Robert Christgau said that Phil Alvin has "easily the most expressive vocal style in all of nouveau rockabilly", while "Dave Alvin's originals introduce a major songwriter, one with John Fogerty's bead on the wound-tight good times of America's tough white underbelly, though his focus is shallower ...
The Blasters have a devoted fan base and have received largely positive critical reviews, but have earned only limited mainstream success. Critic Mark Deming wrote of them, "the Blasters displayed a wide-ranging musical style [and] were a supremely tight and tactful band with enough fire, smarts, and passion for two or three groups." [21]
He is a former and founding member of the roots rock band the Blasters. Alvin has recorded and performed as a solo artist since the late 1980s and has been involved in various side projects and collaborations. He has had brief stints as a member of the bands X and the Knitters. He often refers to himself as "Blackjack Dave," in reference to his ...
The Blasters tried recording 4-11-44 twice, as a live album, but issues with record labels prevented a release. [6] They were without Dave Alvin; the lineup that recorded 4-11-44 had been playing together for a decade. [7] Phil Alvin and bass player John Bazz were the only founding members to participate in the recording sessions. [8] "
Alvin grew up in Downey, California in a music-loving family where he and his younger brother Dave Alvin were exposed to blues, rockabilly, and country.Inspired and influenced by the music they grew up with, Phil and Dave formed the rock and roll band The Blasters in the late 1970s with fellow Downey residents Bill Bateman and John Bazz. [2]
The album was produced by the Blasters; the band intended for it to be a concept album about "lost dreams," and a refutation of their revivalist music party image. [7] [8] "Long White Cadillac" is dedicated to Hank Williams. [9] "Tag Along" is a cover of the Rocket Morgan song. [10]
(1997), Los Angeles music journalist Chris Morris described the Blasters c. 1980 and the "brute energy" that the band generated, including "the indefatigable drummer Bill 'Buster' Bateman." [5] Dave Alvin echoed Morris in another history of the L.A. punk scene, Under the Big Black Sun. He noted how "Bill Bateman pounding his drums as if he were ...
The song was originally released in 1980 on the Blaster's debut album American Music on the small independent label Rollin' Rock. It was then re-recorded a year later for the Blaster's second album The Blasters, released by Slash Records and distributed by Warmer Bros. This album had much better distribution than their first album and "Marie ...