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"Help Me, Rhonda" is a song by American rock band the Beach Boys, appearing first on their 1965 album The Beach Boys Today! (where it was spelled "Help Me, Ronda") and subsequently in re-recorded form on the following 1965 album Summer Days (And Summer Nights!!). It was written by Brian Wilson, with additional lyrics by Mike Love.
Jardine made his first appearance with the Beach Boys touring band in more than 10 years in 2011 at a tribute concert for Ronald Reagan's 100th birthday; [309] at this concert, he sang lead on "Help Me, Rhonda" and "Sloop John B". He made a handful of other appearances with Love and Johnston's touring band in preparation for a reunion.
In an interview with Terra Wellington about the basis of the Institute, Rhonda said "No one can be fearless alone. But, you have to be willing to change your life." [4] That same year she was the "life doctor" on a British reality show called "Help Me, Rhonda," which ran until 2003. [5]
Alan Charles Jardine (born September 3, 1942) is an American musician who co-founded the Beach Boys.He is best known as the band's rhythm guitarist, background vocalist, and for occasionally singing lead vocals on singles such as number-one hit "Help Me, Rhonda" (1965), "Then I Kissed Her" (1965), "Cottonfields" (1970), and a cover of the Del-Vikings’ "Come Go with Me" (1981).
"Kiss Me, Baby" is a song by the American rock band the Beach Boys from their 1965 album The Beach Boys Today!. Written by Brian Wilson and Mike Love , it was issued as the B-side of the group's " Help Me, Rhonda " single on April 5.
"Kokomo" is a song by the American rock band the Beach Boys from the 1988 film Cocktail and album Still Cruisin'. Written by John Phillips, Scott McKenzie, Mike Love, and Terry Melcher, the song was released as a single in July 1988 by Elektra Records and became a number one hit in the US and Australia.
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Endless Harmony Soundtrack is an anthology album of previously unheard material by The Beach Boys, originally released by Capitol Records in August 1998. Named for Bruce Johnston's song on the 1980 album Keepin' the Summer Alive, it was designed as a tie-in with the band's biographical documentary of the same name.