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In October 2015, Morris joined The New York Times as critic-at-large, contributing to the newspaper as well as The New York Times Magazine. [ 14 ] In September 2016, Morris and Times colleague J Wortham began hosting a podcast called Still Processing , produced by The New York Times and podcasting company Pineapple Street Media . [ 15 ]
Francis Bosley Crowther Jr. (July 13, 1905 – March 7, 1981) was an American journalist, writer, and film critic for The New York Times for 27 years. His work helped shape the careers of many actors, directors and screenwriters, though some of his reviews of popular films have been seen as unnecessarily harsh.
Janet Maslin (The New York Times) Harold McCarthy; Todd McCarthy (Variety, The Hollywood Reporter) Michael Medved (New York Post, Sneak Previews) Nell Minow (rogerebert.com and moviedom.com) Elvis Mitchell (The New York Times, Fort Worth Star-Telegram, Los Angeles Herald Examiner, The Detroit Free Press) Khalid Mohammed (Hindustan Times) Joe ...
Jeannette Catsoulis of The New York Times wrote, "A play-like trudge through seesawing power dynamics, bursts of violence, perpetual gloom and a ludicrously attenuated finale, "The Apology" could have doubled its tension by halving its running time.
Anthony Oliver Scott (born July 10, 1966) is an American journalist and cultural critic, known for his film and literary criticism. After starting his career at The New York Review of Books, Variety, and Slate, he began writing film reviews for The New York Times in 2000, and became the paper's chief film critic in 2004, a title he shared with Manohla Dargis.
President Trump, who continues to assert, falsely, that the New York Times apologized to him for its coverage of the 2016 election, is demanding a “far bigger & better apology” over criticism ...
The New York State pension fund, with $260 billion in assets, has hit Chipotle, Tesla, and Wells Fargo with shareholder proposals that would require them to disclose how much money the companies ...
Before being a film critic for The New York Times, Dargis was a chief film critic for the Los Angeles Times, the film editor at the LA Weekly, and a film critic at The Village Voice, where she had two columns on avant-garde cinema ("CounterCurrents" and "Shock Corridor").